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Figurative

Describes any form of art that retains strong references to the real world and particularly to the human figure.

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The Louth-London Royal Mail Travelling by Train from Peterborough East, Northamptonshire

The Louth-London Royal Mail Travelling by Train from Peterborough East, Northamptonshire (1845)

James Pollard (English, 1792-1867)
Peace

Peace

Pierre Puvis de Chavannes (French, 1824-1898)
‘The Cover Hack’

‘The Cover Hack’ (1827)

Henry Thomas Alken (English, 1785 – 1851)
Portrait of the Widow Comtesse Jean-Henri-Louis Greffulhe, née Marie-Françoise-Célestine de Vintimille du Luc, later Comtesse Philippe-Paul de Ségur (1787-1862), in a Landscape

Portrait of the Widow Comtesse Jean-Henri-Louis Greffulhe, née Marie-Françoise-Célestine de Vintimille du Luc, later Comtesse Philippe-Paul de Ségur (1787-1862), in a Landscape (1825)

Horace Vernet (French, 1789-1863)
Prison Scene in Rome

Prison Scene in Rome (1837)

Wilhelm Marstrand (Danish, 1810-1873)
Påfåglar

Påfåglar (1918)

Nils Dardel (Swedish, 1888-1943)
Admiration maternelle – le bain

Admiration maternelle – le bain (1869)

William Bouguereau (French, 1825-1905)
The harem guard

The harem guard (1872)

José Villegas Cordero (Spanish, 1848–1921)
Linke Hand des ‘Mädchens mit der Nelke’

Linke Hand des ‘Mädchens mit der Nelke’ (ca 1880)

Wilhelm Leibl (German, 1844-1900)
Portret van de schilder Lambert van Straaten

Portret van de schilder Lambert van Straaten (1736)

Tako Hajo Jelgersma (Dutch, 1702-1795)
The Love Lesson

The Love Lesson

Jean-Antoine Watteau (French, 1684 - 1721)
Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps)

Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps) (1789)

Elisabeth Louise Vigée Le Brun (French, 1755 - 1842)
The Return of the Volunteer from the Wars of Liberation to His Family Still Living in Accordance with Old Customs

The Return of the Volunteer from the Wars of Liberation to His Family Still Living in Accordance with Old Customs (1833 - 1834)

Moritz Daniel Oppenheim (German, 1800−1882)
Striking the Post

Striking the Post (1852)

Seth Eastman (American, 1808–1875)
Bauer mit großem Hut, weißer Jacke, Stulpenstiefeln

Bauer mit großem Hut, weißer Jacke, Stulpenstiefeln

Jakob Becker (German, 1810 – 1872)
Scheherazade And The Sultan

Scheherazade And The Sultan (1878)

Alfred Choubrac (French, 1853-1902)
Aletta Pancras (1649-1707) Wife of François de Vicq

Aletta Pancras (1649-1707) Wife of François de Vicq (1670)

Gerard ter Borch (Dutch, 1617-1681)
Ein Kritiker

Ein Kritiker (1868)

Wilhelm Leibl (German, 1844-1900)
A Sleeping Girl

A Sleeping Girl (1760-1762)

Pietro Rotari (Italian, 1707-1762)
Portrait of a Girl Dressed in Blue

Portrait of a Girl Dressed in Blue (1641)

Johannes Cornelisz Verspronck (Dutch, 1600-1662)
Washerwoman, Study

Washerwoman, Study (1880)

Camille Pissarro (French, 1830-1903)
Portrait of a Young Man

Portrait of a Young Man (1652)

Ferdinand Bol (Dutch, 1616-1680)
Portrait of Käthe von Porada

Portrait of Käthe von Porada (1924)

Max Beckmann (German, 1884 – 1950)
Set Design For Act I of Pskovityanka

Set Design For Act I of Pskovityanka

Alexander Yakovlevich Golovin (Russian, 1863-1930)
A concert

A concert

Niccolò Tornioli (Italian, 1606-1651)
Autoportrait

Autoportrait (1814)

Alphonse-Henri Perin (French, 1798-1874)
St. Nicholas

St. Nicholas (ca. 1837)

Robert Walter Weir (American, 1803 - 1889)
Alla fontana (Le due colombe)

Alla fontana (Le due colombe) (1896)

Vittorio Matteo Corcos (Italian, 1859 – 1933)
On The Beach

On The Beach

Boris Grigoriev (Russian, 1886-1939)
Françoise-Marguerite de Sévigné, comtesse de Grignan (1648-1705)

Françoise-Marguerite de Sévigné, comtesse de Grignan (1648-1705) (1669)

Pierre Mignard (French, 1612-1695)
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