Art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colours, forms and gestural marks to achieve its effect
Moonlight on the Beach (1904)
Edvard Munch (Norwegian, 1863 - 1944)
Design for the cover of the almanac ‘The Blue Rider’ VIII (1911)
Wassily Kandinsky (French, born Russia, 1866 - 1944)
Examples of Chinese ornament, Pl.45 (1867)
Owen Jones (British, 1809 - 1874)
Prismes-32 (1931)
Emile-Allain Séguy (French, 1877-1951)
Landscape from France (1917)
Alvar Cawén (Finnish, 1886 - 1935)
Farbstudie (1913)
Wassily Kandinsky (French, born Russia, 1866 - 1944)
Prismes-10 (1931)
Emile-Allain Séguy (French, 1877-1951)
Interior (1917)
Alvar Cawén (Finnish, 1886 - 1935)
De Kostverloren Vaart te Amsterdam gezien in noordelijke richting (1915)
Rik Wouters (Belgian, 1882 – 1916)
Bijutsukai Pl.103 (1901)
Korin Furuya (Editor) (Japanese, 1875 - 1910)
Dry-cool garden (1921)
Paul Klee (German, 1879 - 1940)
Prismes-3 (1931)
Emile-Allain Séguy (French, 1877-1951)
On the river (1924)
Mikuláš Galanda (Slovak, 1895 – 1938)
A sharing of sculpture (1984)
Lanny Sommese (American, 1943-)
Deep Pathos (1915)
Paul Klee (German, 1879 - 1940)
Drowned (1930)
Mikuláš Galanda (Slovak, 1895 – 1938)
Robert Elkon Gallery
Friedel Dzubas (American, 1915 - 1994)
Bijutsukai Pl.44 (1901)
Korin Furuya (Editor) (Japanese, 1875 - 1910)
Abstrakte Formen II (1913)
August Macke (German, 1887 - 1914)