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Bandō minosuke no rikiya (1801)
Toyokuni Utagawa
(Japanese, 1769-1825)
Asian Art
Bandō Mitsugorō I as the Spirit of an Egret Disguised as Cotton Maker Megamagosaburō (circa 1781)
Katsukawa Shunshō
(Japanese, 1726-1792)
Asian Art
Bandô Mitsugorô in the Role of Sweets Vendor Deity (19th century)
Utagawa Kunisada (Toyokuni III)
(Japanese, 1786 – 1865)
Asian Art
Bando Mitsugoro IV in a Travelling Robe (early 1800s)
Toyokuni Utagawa
(Japanese, 1769-1825)
Asian Art
Bandō mitsugorō no tokubei (1818)
Toyokuni Utagawa
(Japanese, 1769-1825)
Asian Art
Bandō Shūka as Hashimotoya Shiraito (1852)
Utagawa Kuniyoshi
(Japanese, 1797-1861)
Asian Art
Bandō, Mitsugorō no Ukiyo Tōei (1804)
Toyokuni Utagawa
(Japanese, 1769-1825)
Asian Art
Banquet inside the Korean Royal Palace (1894)
Watanabe Nobukazu
(Japanese, c. 1872-1944)
Asian Art
Barley and skylark (1892)
Matsumura Keibun
(Japanese, 1779-1843)
Asian Art
Basket of Peonies (1810 or 1814)
Katsushika Hokusai
(Japanese, 1760-1849)
Asian Art
Batta (1830)
Keisai Eisen
(Japanese, 1790-1848)
Asian Art
Battle before Kumamoto Castle (1877)
Tsukioka Yoshitoshi
(Japanese, 1839-1892)
Asian Art
Battle in the Streets of Niuzhuang (1895)
Adachi Ginkō
(Japanese, 1853-1908)
Asian Art
Battle of Hakone, Sagami (1871)
Tsukioka Yoshitoshi
(Japanese, 1839-1892)
Asian Art
Battle on roof of Hōryūkaku, from the Play ‘Tale of the Eight Dogs’ (Hakkenden) (1854)
Utagawa Kunisada II
(Japanese, 1823-1880)
Asian Art
Beans for Tossing During Setsubun Exorcism Ceremony (1810s)
Kubo Shunman
(Japanese, 1757-1820)
Asian Art
Beauties at the Seashore (c. 1765–92)
Ippitsusai Bunchō
(Japanese, active ca. 1765–1792)
Asian Art
Beauties Harvesting Bracken, from the series Gekkō’s Miscellaney (c. 1886–1899)
Ōgata Gekkō
(Japanese, 1859-1920)
Asian Art
Beauties of the Pleasure Quarters (Seiro bijin awase); Kisegawa of the Matsubaya with Attendants Onami and Menami (c. 1797)
Chōbunsai Eishi
(Japanese, 1756-1829)
Asian Art
Beauties Parodying the Seven Sages – A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe); Hanasaki of the Daimonjiya (c. 1793)
Chōbunsai Eishi
(Japanese, 1756-1829)
Asian Art
Beauties Parodying the Seven Sages – A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe); Kumegawa of the Ogiya (c. 1793)
Chōbunsai Eishi
(Japanese, 1756-1829)
Asian Art
Beauties Parodying the Seven Sages – A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe); Mitsuito of the Hyogoya (1793)
Chōbunsai Eishi
(Japanese, 1756-1829)
Asian Art
Beauties Parodying the Seven Sages – A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe); Miyagawa of the Matsubaya (1793)
Chōbunsai Eishi
(Japanese, 1756-1829)
Asian Art
Beauties Parodying the Seven Sages – A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe); Momiji of the Echizenya (c. 1793)
Chōbunsai Eishi
(Japanese, 1756-1829)
Asian Art
Beauties Parodying the Seven Sages – A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe); Shinoura of the Tsuruya (1793)
Chōbunsai Eishi
(Japanese, 1756-1829)
Asian Art
Beauties Parodying the Seven Sages – A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe); Tokiuta of the Chojiya (c. 1793)
Chōbunsai Eishi
(Japanese, 1756-1829)
Asian Art
Beautiful woman playing with cat
Tsukioka Masanobu Settei
(Japanese, 1710 – 1787)
Asian Art
Beauty in a Boat on Sumida River (late 1700s-early 1800s)
Chōbunsai Eishi
(Japanese, 1756-1829)
Asian Art
Beauty with Fireflies (early 1800s)
Kubo Shunman
(Japanese, 1757-1820)
Asian Art
Beggar (Kojiki) (1871)
Hirafuku Suian
(Japanese, 1844-1890)
Asian Art
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