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Ornamente aller klassischen Kunst-Epochen nach den Originalien in ihren eigenthümlichen Farben Pl.069

Ornamente aller klassischen Kunst-Epochen nach den Originalien in ihren eigenthümlichen Farben Pl.069 (1870)

Wilhelm Zahn (German, 1800-1871)
Young Woman Sewing

Young Woman Sewing (1778)

Elias Martin (Swedish, 1739-1818)
Driving Home the Corn

Driving Home the Corn (1858)

Winslow Homer (American, 1836-1910)
Mortals & immortals Pl.53

Mortals & immortals Pl.53 (1911)

Carlo de Fornaro (Italian, 1872–1949)
Plate XXII: Palmistry chart of right hand

Plate XXII: Palmistry chart of right hand (1685)

William Salmon (English, 1644–1713)
Vogelverschrikker

Vogelverschrikker (1905)

Albert Hahn (Dutch, 1877 – 1918)
Motifs de vitrail (partie centrale d’une fenêtre) trilobes et quadrilobes entrelaçés, fond jaune

Motifs de vitrail (partie centrale d’une fenêtre) trilobes et quadrilobes entrelaçés, fond jaune

Laurent Gsell (French, 1860-1944)
The Lion’s Court

The Lion’s Court (1857)

Charles Henry Bennett (English, 1828 – 1867)
Spelende kinderen op een camping

Spelende kinderen op een camping (1930)

Anonymous
Comète

Comète (1922)

Anonymous
‘The Goblins ‘l Git Yer’

‘The Goblins ‘l Git Yer’ (1918)

Helen Hyde (American, 1868 – 1919)
Money lenders

Money lenders (1784)

Thomas Rowlandson (English, 1756-1827)
Arrival in Alsace of the extraordinary commissioner, Coco Romieu.

Arrival in Alsace of the extraordinary commissioner, Coco Romieu. (1850)

Honoré Daumier (French, 1808-1879)
Paying the Hostler

Paying the Hostler (1805)

George Morland (English, 1763-1804)
Pour la liberté du monde

Pour la liberté du monde (1917)

Georges Goursat (Sem) (French, 1863–1934)
Southernaire Brand Florida Citrus Label

Southernaire Brand Florida Citrus Label (1930-1950)

Anonymous
The cigar band fiend

The cigar band fiend (1907)

Samuel Ehrhart (American, 1862-1937)
Vissende jongeman en oude man

Vissende jongeman en oude man (1832 - 1897)

Alexander Ver Huell (Dutch, 1822-1897)
Center design of twelve-leafed floral shape with central design of classical soldier.

Center design of twelve-leafed floral shape with central design of classical soldier. (1777 - 1784)

Michael Angelo Pergolesi (Italian, 1760-1801)
The Weavers: Act 3 (Domestic Interior against City Rooftops)

The Weavers: Act 3 (Domestic Interior against City Rooftops) (1934-1943)

Frederick Stover
The Tempest; Illustration to act 2, scene 1

The Tempest; Illustration to act 2, scene 1 (1900)

Robert Anning Bell (English, 1863-1933)
The Fox and the Turkeys

The Fox and the Turkeys (1900)

Percy J. Billinghurst (English, 1871-1933)
Cressida, Troilus & Cressida, act 4, sc. 4

Cressida, Troilus & Cressida, act 4, sc. 4

Joseph Kenny Meadows (English, 1790–1874)
Italian Renaissance Capitals 2

Italian Renaissance Capitals 2 (1902)

Frank Chouteau Brown (American, 1876 – 1947)
An Alphabet; J for Jockey

An Alphabet; J for Jockey (1838)

William Nicholson (English, 1872-1949)
Le bon Dieu chez les enfants Pl.03

Le bon Dieu chez les enfants Pl.03 (1920)

Francis Jammes (French, 1868-1938)
The Raven Pl.20

The Raven Pl.20 (1884)

Gustave Doré (French, 1832-1883)
The Trial Sermon, Joanna Douglas at Her Desk

The Trial Sermon, Joanna Douglas at Her Desk (1862)

James Abbott McNeill Whistler (American, 1834-1903)
Sheridan’s final charge at Winchester

Sheridan’s final charge at Winchester (1886)

Thure de Thulstrup (American, 1848-1930)
What to draw and how to draw it Pl.46

What to draw and how to draw it Pl.46 (1913)

Edwin George Lutz (American, 1868 - 1951)