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Manuel Robbe - Menuet d’Automne

Menuet d’Automne (1898)

Manuel Robbe (French, 1872-1936)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1936 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Manuel Robbe

Manuel Robbe was a brilliant printmaker who masted the aquatint technique. He was born in Paris, shortly after the Franco-Prussian War. He soon began studies at the Lycees Condorcet with Louis Legrand. In the early 1890’s Robbe enrolled at the Academie Julian and later, at the prestigious Ecole des Beaux- Arts. Here, he learned the intricacies of etching and aquatint from master etcher Eugene Delatre. He exhibited regularly at the Salons of Societe des Artistes Francais and in 1900, he received a bronze medal at the World’s Fair for his contribution to printmaking.

In the beginning of his career, Robbe began to incorporate many innovative etching techniques into his artwork, such as, the sugar-lift, aquatint and “à la poupee.” His technique was developed over several phases. He painted his design with a mixture of sugar, India ink and gum arabic on a zinc plate. The plate was then covered entirely with a varnish. By immersing the plate in water, the sugar would melt, leaving a thin white line. Resin was added and the plate was heated from the bottom. The plate was placed into an acid bath, to bite the lines and establish line intensity. Finally, Robbe painted the plate with an oil brush made of rags called “à la poupee.” Robbe would arrive with new shades of color with each impression, because he would have to paint the plate each time an impression was pulled. He always succeeded in giving his aquatints great intensity, unique color diversity and extraordinary painterly effects.

Robbe was influenced by the most of the important nineteenth century artists such as Degas, Renoir, Legrand, Chahine and Lautrec. Robbe delighted in depicting women. He was known to show the individuality of his female subjects, while celebrating their beauty. His prints chronicled the emerging status of women as decision-makers and connoisseurs, as well as having the ability to judge and appreciate art. He also was able to show their sensuality, sociability, and the ability of the modern women to elegantly enjoy the simple pleasures in life.

Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish women, children in parks and promenades in the streets, helped lift the artistic level of color printmaking to unprecedented heights.

In Collection: L’Estampe Moderne (View all 82)

Tristesse sur la mer

Tristesse sur la mer (ca. 1898)

André Ulmann (French, 1867-?)
The Servant (La Servante)

The Servant (La Servante) (ca. 1899)

Ferdinand Luigini (French, 1870-1943)
Beauty

Beauty (1889)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Renaveau

Renaveau (ca. 1897)

Émile Berchmans (Belgian, 1867 - 1947)
Automne

Automne (ca. 1897)

René Menard (French, 1862-1930)
Golden Legend

Golden Legend (1897)

Armand Point (French, 1861-1932)
La Phalène des Iles de la Mer

La Phalène des Iles de la Mer (1897)

F.-M. Melchers (Dutch, 1868-1944)
Fleur de Mai

Fleur de Mai (ca. 1897)

Henri Héran (German, 1864–1940)
Jane

Jane (1897)

Louis Rhead (American, 1857-1926)
In the Brambles (Dans les Ronces)

In the Brambles (Dans les Ronces) (ca. 1898)

Henri Detouche (French, 1854-1913)
Fillette à L’Orange

Fillette à L’Orange (ca. 1898)

Louise Catherine Breslau (Swiss, 1856 – 1927)
L’Illusion

L’Illusion (1897)

Henri Jules Ferdinand Bellery-Defonaines (French, 1867–1910)
Le retour des champs

Le retour des champs (ca. 1898)

Jules Alexis Muenier (French, 1863–1942)
Invocation

Invocation (ca. 1897)

Marcel Lenoir (French, 1872-1931)
Pantomime

Pantomime (ca. 1898)

Henri-Gabriel Ibels (French, 1867 - 1936)
View all 82 Artworks

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