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Study

3119 items

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Six Studies of Pillows

Six Studies of Pillows (1493)

Albrecht Dürer (German, 1471-1528)
Drawings
Sketch for a Baptism of Christ II

Sketch for a Baptism of Christ II

Jacopo Palma il Giovane (Italian, c. 1548-1628)
Drawings
Sketch for Madame Moitessier

Sketch for Madame Moitessier

Jean Auguste Dominique Ingres (French, 1780 - 1867)
Drawings
Sketch of a foot

Sketch of a foot (1992)

Edwin Austin Abbey (American, 1852 - 1911)
Drawings
Sketch of a foot II

Sketch of a foot II (1983)

Edwin Austin Abbey (American, 1852 - 1911)
Drawings
Sketch of a hand

Sketch of a hand (1992)

Edwin Austin Abbey (American, 1852 - 1911)
Drawings
Sketch of a hand

Sketch of a hand

Edwin Austin Abbey (American, 1852 - 1911)
Drawings
Sketch of a woman

Sketch of a woman (1987)

Edwin Austin Abbey (American, 1852 - 1911)
Drawings
Sketch of a woman – costume study for a play III

Sketch of a woman – costume study for a play III (2002)

Edwin Austin Abbey (American, 1852 - 1911)
Drawings
Sketch of a Young Lady in Violet (Esquisse de jeune femme a la violette)

Sketch of a Young Lady in Violet (Esquisse de jeune femme a la violette)

Norbert Goeneutte (French, 1854-1894)
Drawings
Sketch of Anatomical Sculpture

Sketch of Anatomical Sculpture (1881/84)

Paul Cézanne (French, 1839-1906)
Drawings
Sketch of angel for the painting ‘The Immaculate Conception’

Sketch of angel for the painting ‘The Immaculate Conception’ (1864)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of Catherine Jagiellon with son Sigismund and John, Grand Duke of Finland, to the painting ‘Catherine Jagiellon in Gripsholm Prison’

Sketch of Catherine Jagiellon with son Sigismund and John, Grand Duke of Finland, to the painting ‘Catherine Jagiellon in Gripsholm Prison’ (1858)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of four men in medieval dress at a table – unidentified illustration, possibly for ‘Love’s Labours Lost’, The King’s Quandary.

Sketch of four men in medieval dress at a table – unidentified illustration, possibly for ‘Love’s Labours Lost’, The King’s Quandary. (1986)

Edwin Austin Abbey (American, 1852 - 1911)
Drawings
Sketch of hand clasping a cane

Sketch of hand clasping a cane

Edwin Austin Abbey (American, 1852 - 1911)
Drawings
Sketch of head and studies of hands of Gniewosz of Dalewice; studies of Jagiełło’s hands for the painting ‘Queen Jadwiga’s Oath’

Sketch of head and studies of hands of Gniewosz of Dalewice; studies of Jagiełło’s hands for the painting ‘Queen Jadwiga’s Oath’ (1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of limestone outliers (near the Ogrodzieniec Castle)

Sketch of limestone outliers (near the Ogrodzieniec Castle) (1860)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of one hand grasping a pole

Sketch of one hand grasping a pole

Edwin Austin Abbey (American, 1852 - 1911)
Drawings
Sketch of one hand grasping a pole

Sketch of one hand grasping a pole

Edwin Austin Abbey (American, 1852 - 1911)
Drawings
Sketch of the composition ‘Martyrdom of St. Stanislaus’

Sketch of the composition ‘Martyrdom of St. Stanislaus’ (1860)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the composition ‘Mermaids luring a young man’

Sketch of the composition ‘Mermaids luring a young man’ (1848)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the composition to the scene from the first act of the ‘Giselle’ ballet

Sketch of the composition to the scene from the first act of the ‘Giselle’ ballet (1855)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the figure of Gniewosz of Dalewice and a nobleman for the painting ‘Queen Jadwiga’s Oath’

Sketch of the figure of Gniewosz of Dalewice and a nobleman for the painting ‘Queen Jadwiga’s Oath’ (1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the figure of Queen Jadwiga and Jaśko of Tęczyn for the painting ‘Queen Jadwiga’s Oath’

Sketch of the figure of Queen Jadwiga and Jaśko of Tęczyn for the painting ‘Queen Jadwiga’s Oath’ (1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the figure to the group of the Virgin Mary and Mary Magdalene to the painting ‘Entombment’

Sketch of the figure to the group of the Virgin Mary and Mary Magdalene to the painting ‘Entombment’ (1850)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the group of the Virgin Mary and Mary Magdalene to the painting ‘Entombment’

Sketch of the group of the Virgin Mary and Mary Magdalene to the painting ‘Entombment’ (1850)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the group of witnesses to the death of St. Matthias to the painting ‘Martyrdom of St. Matthias’

Sketch of the group of witnesses to the death of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the high priest to the painting ‘Martyrdom of St. Matthias’

Sketch of the high priest to the painting ‘Martyrdom of St. Matthias’ (1866-1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the king figure for the painting ‘Death of Barbara Radziwiłł’

Sketch of the king figure for the painting ‘Death of Barbara Radziwiłł’ (1860)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the king figure for the painting ‘Death of Barbara Radziwiłł’ (nude)

Sketch of the king figure for the painting ‘Death of Barbara Radziwiłł’ (nude) (1860)

Józef Simmler (Polish, 1823-1868)
Drawings
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