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Cubism
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Small Black Cross (1920)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Dynamic Suprematism (1920)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Les Bœufs Dans La Montagne (1922)
Georges Valmier
(French, 1885 – 1937)
Abstract
Gebet II (1913)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Black and White Collage (1913)
Georges Braque
(French, 1882 – 1963)
Abstract
The Smoker II (1913)
Juan Gris
(Spanish, 1887-1927)
Abstract
Still Life (1916)
Juan Gris
(Spanish, 1887-1927)
Abstract
Large cross in black over red on white (1920)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Suprematism (1915)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Nature morte au violon (Still Life with a Violin) (1912)
Georges Braque
(French, 1882 – 1963)
Abstract
Portrait of Josette Gris (1916)
Juan Gris
(Spanish, 1887-1927)
Abstract
Painterly Architectonics (1918)
Lyubov Popova
(Russian, 1889 – 1924)
Abstract
Painterly Realism of a Football Player – Color Masses in the 4th Dimension (1915)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Kompozycja 215A (1936)
Karol Hiller
(Polish, 1891 - 1939)
Abstract
Komposition (1939)
Otto Freundlich
(German, 1878-1943)
Abstract
Objects on a Table (circa 1920 –21)
Patrick Henry Bruce
(American, 1881-1936)
Abstract
Suprematist Satellites (1920)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Landscape la ciotat (1922)
Georges Valmier
(French, 1885 – 1937)
Abstract
Composition with Two Equal and Parallel Rectangles (1920)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Composition I (1926)
Ragnhild Keyser
(Norwegian, 1889 – 1943)
Abstract
Suprematist Composition; Airplane Flying (1915)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Composition II (1926)
Ragnhild Keyser
(Norwegian, 1889 – 1943)
Abstract
composition (around 1938)
Otto Freundlich
(German, 1878-1943)
Abstract
Construction (1924)
László Moholy-Nagy
(Hungarian, 1895 - 1946)
Abstract
Black Circle (1916)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
My Sky is Red (1933)
Otto Freundlich
(German, 1878-1943)
Abstract
composition (around 1932)
Otto Freundlich
(German, 1878-1943)
Abstract
Composition Abstraite (1936-38)
Otto Freundlich
(German, 1878-1943)
Abstract
Black Square and Red Square (1915)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
House under construction (1915)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Kompozycja BA220 (1937)
Karol Hiller
(Polish, 1891 - 1939)
Abstract
Femme Assise (Seated Woman) (c. 1917)
María Blanchard
(Spanish, 1881 – 1932)
Abstract
Dynamic Suprematism (1916)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Komposition (1938)
Otto Freundlich
(German, 1878-1943)
Abstract
composition (1932)
Otto Freundlich
(German, 1878-1943)
Abstract
A Tree (1927)
Otto Freundlich
(German, 1878-1943)
Abstract
Still Life with Red Lamp (1916-1918)
María Blanchard
(Spanish, 1881 – 1932)
Abstract
E-Bild (E Picture) (1921)
László Moholy-Nagy
(Hungarian, 1895 - 1946)
Abstract
Composition with Four Black, One White, and Two Grey Elements (1920)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Sensation of the Motion and the Obstacle (1916)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Abstraction (1920)
Jay Van Everen
(American, 1875-1947)
Abstract
Suprematism (1915)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
L.AL I (1936)
László Moholy-Nagy
(Hungarian, 1895 - 1946)
Abstract
Untitled (1916)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Composition III (1926)
Ragnhild Keyser
(Norwegian, 1889 – 1943)
Abstract
Three Black and Five Grey Elements (1920)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Landscape (1914)
Albert Gleizes
(French, 1881 - 1953)
Abstract
Dish of Fruit (1916)
Juan Gris
(Spanish, 1887-1927)
Abstract
Konstruktion (circa 1920-22)
László Moholy-Nagy
(Hungarian, 1895 - 1946)
Abstract
L IV (1936)
László Moholy-Nagy
(Hungarian, 1895 - 1946)
Abstract
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Abstract
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