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Maxfield Parrish - Poster show, Pennsylvania Academy of the Fine Arts, Philadelphia

Poster show, Pennsylvania Academy of the Fine Arts, Philadelphia (1896)

Maxfield Parrish (American, 1870 - 1966)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
It was published or registered with the United States Copyright Office before January 1st, 1928
Maxfield Parrish

Maxfield Parrish was an American painter and illustrator active in the first half of the 20th century. He is known for his distinctive saturated hues and idealized neo-classical imagery. His career spanned fifty years and was wildly successful: his painting Daybreak (1922) is the most popular art print of the 20th century.

Maxfield Parrish was born in Philadelphia, Pennsylvania, to painter and etcher Stephen Parrish and Elizabeth Bancroft. His given name was Frederick Parrish, but he later adopted Maxfield, his paternal grandmother's maiden name, as his middle, then finally as his professional name.
Parrish entered into an artistic career that lasted for more than half a century, and which helped shape the Golden Age of illustration and American visual arts. During his career, he produced almost 900 pieces of art including calendars, greeting cards, and magazine covers. Parrish's early works were mostly in black and white.

In 1885, his work was on the Easter edition of Harper’s Bazaar. He also did work for other magazines like Scribner's Magazine. He also illustrated a children's book in 1897, Mother Goose in Prose written by L. Frank Baum. By 1900, Parrish was already a member of the Society of American Artists.

More Artworks by Maxfield Parrish (View all 64 Artworks)

Harper’s weekly, Christmas

Harper’s weekly, Christmas (1897)

Maxfield Parrish (American, 1870 - 1966)
Royal Baking Powder makes dainties for Christmas

Royal Baking Powder makes dainties for Christmas (1895)

Maxfield Parrish (American, 1870 - 1966)
Harper’s young people, Easter 1895

Harper’s young people, Easter 1895 (1895)

Maxfield Parrish (American, 1870 - 1966)
Giant With Jack At His Feet (Poems Of Childhood)

Giant With Jack At His Feet (Poems Of Childhood) (1904)

Maxfield Parrish (American, 1870 - 1966)
Poster Show

Poster Show (1898)

Maxfield Parrish (American, 1870 - 1966)
It will be sufficient to break off a branch and carry it to plant in your garden.

It will be sufficient to break off a branch and carry it to plant in your garden. (1909)

Maxfield Parrish (American, 1870 - 1966)
Seein’ Things

Seein’ Things (1904)

Maxfield Parrish (American, 1870 - 1966)
Shuffle-Shoon and Amber-Locks

Shuffle-Shoon and Amber-Locks (1904)

Maxfield Parrish (American, 1870 - 1966)
Nude Woman Resting, preliminary study

Nude Woman Resting, preliminary study (circa 1920s)

Maxfield Parrish (American, 1870 - 1966)
Cleopatra

Cleopatra (1917)

Maxfield Parrish (American, 1870 - 1966)
The Oaks

The Oaks (1904)

Maxfield Parrish (American, 1870 - 1966)
Supine Woman Raising Her Head to Watch Geese, preliminary drawing

Supine Woman Raising Her Head to Watch Geese, preliminary drawing (1924)

Maxfield Parrish (American, 1870 - 1966)
Sunset, Colorado

Sunset, Colorado (circa 1902)

Maxfield Parrish (American, 1870 - 1966)
A Dark Futurist

A Dark Futurist (1923)

Maxfield Parrish (American, 1870 - 1966)
The Sugar-Plum Tree

The Sugar-Plum Tree (1904)

Maxfield Parrish (American, 1870 - 1966)
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