Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Religion
    • Mythology
    • Posters
    • Animals
    • Illustration
    • Still Life
    • Historical
    • Botanical
    • Fashion
    • Drawings
    • Japanese Art
  • Artists
  • Highlights
  • Collections
    • Our Collections
    • User Collections
  • Book Illustrations
Login
Artvee
Menu

Oiso (ca. 1841–1842)

Andō Hiroshige (Japanese, 1797 – 1858)
Facebook Twitter Pinterest
Favourite
Collect

Standard, 2458 x 1552px JPG, Size: 3.92 MB, 300dpi

Download

Max Size, 4096 x 2586px JPG, Size: 10.19 MB, 300dpi

Download
License: All files can be freely used for personal and commercial projects with no attribution required
Why is this image in the public domain?
The Artist died in 1858 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Please login to comment

No Comments yet.
    Andō Hiroshige
    About the Artist

    Utagawa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of bokashi (color gradation), both of which were rather labor-intensive techniques.
    Hiroshige's work came to have a marked influence on western European painting towards the close of the 19th century as a part of the trend in Japonism. Western European artists, such as Manet and Monet, collected and closely studied Hiroshige's compositions. Vincent van Gogh even went so far as to paint copies of two of Hiroshige's prints from One Hundred Famous Views of Edo.

    More Illustrations in Book: 53 Stations of the Tokaido (Gyosho edition) (View all 54)

    Minakuchi (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Akasaka (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Hara (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Ishibe (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Yui (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Kanaya (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Otsu (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Kanbara (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Sakonashita (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Fujieda (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    More Illustrations in Book: 53 Stations of the Tokaido (Gyosho edition) (View all 54)

    Minakuchi (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Akasaka (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Hara (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Ishibe (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Yui (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Kanaya (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Otsu (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Kanbara (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Sakonashita (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Fujieda (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Kyoto (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    Mariko (ca. 1841–1842)

    Andō Hiroshige (Japanese, 1797 – 1858)

    You may also like

    Egret in rain (1900 - 1930)

    Ohara Koson (Japanese, 1877-1945)

    Boats and Setting Sun (1900 - 1936)

    Ohara Koson (Japanese, 1877-1945)

    Eagle lurking for prey (1887 - 1930)

    Ohara Koson (Japanese, 1877-1945)

    Copper pheasant (1900 - 1930)

    Ohara Koson (Japanese, 1877-1945)

    Cuckoo in the rain (1900 - 1910)

    Ohara Koson (Japanese, 1877-1945)

    Eagle on tree branch (1900 - 1910)

    Ohara Koson (Japanese, 1877-1945)

    Crossbill on tree branch (1900 - 1910)

    Ohara Koson (Japanese, 1877-1945)

    Cicada on tree (1900 - 1936)

    Ohara Koson (Japanese, 1877-1945)
    • About Us
    • Terms
    • Privacy
    • Contact us

    Artvee.com 2020 All Rights Reserved

    • Sign in
    • New account

    Connect with:
    Facebook Google Twitter

    Forgot your password?

    Connect with:
    Facebook Google Twitter

    Lost your password? Please enter your email address. You will receive mail with link to set new password.

    Back to login

    Add to Collection

    • Public collection title

    • Private collection title

    No Collections yet

    • Sign in
    • Browse
      • Abstract
      • Figurative
      • Landscape
      • Religion
      • Mythology
      • Posters
      • Animals
      • Illustration
      • Still Life
      • Historical
      • Botanical
      • Fashion
      • Drawings
      • Japanese Art
    • Artists
    • Highlights
    • Collections
      • Our Collections
      • User Collections
    • Book Illustrations

    Sign in

    close

    Lost your password?
    Or login with
    Facebook
    Google
    No account yet? Create an Account