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Ireland’s Eye from Howth

Ireland’s Eye from Howth (1899)

Robert Ponsonby Staples (Irish, 1853–1943)
De la Parade du Cavé sur le Coup de Flanconnade

De la Parade du Cavé sur le Coup de Flanconnade (1763)

James Gwin (Irish, 1720 - 1769)
Interior Colosseum, Rome

Interior Colosseum, Rome (1818)

Isaac Weld (Irish, 1774–1856)
Portrait of Mary, Lady Gerard in a Green Dress

Portrait of Mary, Lady Gerard in a Green Dress (1904)

William Orpen (Irish, 1878-1931)
Shades of Evening

Shades of Evening (1904)

Mildred Anne Butler (Irish, 1858-1941)
Benjamin Cole

Benjamin Cole

Nathaniel Hone (Irish, 1718-1784)
View of Lucan House

View of Lucan House (1782)

John James Barralet (Irish, 1747 - 1815)
A swinish multitude

A swinish multitude (1835)

John Doyle (Irish, 1797 – 1868)
Portrait of Mrs Dobbyn

Portrait of Mrs Dobbyn (c.1794)

John Comerford (Irish, 1770–1832)
A Design for the Top of the Mace of the Royal College of Physicians of Ireland

A Design for the Top of the Mace of the Royal College of Physicians of Ireland (1850)

Frederic William Burton (Irish, 1816–1900)
Self-Portrait

Self-Portrait (1845)

Samuel Lover (Irish, 1797-1868)
Achill Horses

Achill Horses (1941)

Mainie Jellett (Irish, 1897-1944)
Landscape with bridge and waterfall

Landscape with bridge and waterfall

Thomas Walmsley (Irish, 1763-1806)
Rather a Dangerous Kind of Hug

Rather a Dangerous Kind of Hug (1847)

John Doyle (Irish, 1797 – 1868)
Portrait of Richard Irivine Best (1872-1959), Scholar

Portrait of Richard Irivine Best (1872-1959), Scholar (1928)

Sarah Cecilia Harrison (Irish, 1863 – 1941)
The Acacia Tree

The Acacia Tree (Figures in a Park)

George Barret (Irish, 1767–1842)
An Interior of a Breton Cottage

An Interior of a Breton Cottage (1892)

Helen Mabel Trevor (Irish, 1831 – 1900)
Russian Driver and Pays de Vaud

Russian Driver and Pays de Vaud (ca. 1818)

Isaac Weld (Irish, 1774–1856)
Reclining Nude

Reclining Nude

William Orpen (Irish, 1878-1931)
Elizabeth Corbet Yeats

Elizabeth Corbet Yeats (c.1905)

John Butler Yeats (Irish, 1839-1922)
Bangor, Belfast Lough

Bangor, Belfast Lough

James Arthur O'Connor (Irish, 1792–1841)
A Lady in Black (Lady Gwendeline Spencer-Churchill)

A Lady in Black (Lady Gwendeline Spencer-Churchill)

Sir John Lavery (Irish, 1856 – 1941)
Looking at the Sea

Looking at the Sea (1912)

William Orpen (Irish, 1878-1931)
A View of O’Connell Street, Dublin

A View of O’Connell Street, Dublin

George Petrie (Irish, 1790-1866)
The Primaries, Red, Green and Ultramarine-Blue, with their Complementaries, or Secondaries, Blue-Green, Purple and Yellow.

The Primaries, Red, Green and Ultramarine-Blue, with their Complementaries, or Secondaries, Blue-Green, Purple and Yellow. (1912)

James Ward (Irish, 1851–1924)
The Sibyl Presenting the Mysterious Writings to Tarquin, Who ‘With Gay Audacity’ Rejects the Proferred Treasure

The Sibyl Presenting the Mysterious Writings to Tarquin, Who ‘With Gay Audacity’ Rejects the Proferred Treasure (1849)

John Doyle (Irish, 1797 – 1868)
A River Scene

A River Scene (c.1740s)

George Barret (Irish, 1767–1842)
A Floral Textile Design, for Sefton Fabrics, Belfast

A Floral Textile Design, for Sefton Fabrics, Belfast (1918-1919)

Harry Clarke (Irish, 1889–1931)
The Cross Triumphant

The Cross Triumphant (c.1932)

Michael Healy (Irish, 1873 – 1941)
Premiere Position pour tirer L’Epée

Premiere Position pour tirer L’Epée (1763)

James Gwin (Irish, 1720 - 1769)