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Illustration

Decoration, interpretation or visual explanation of a text, concept or process, designed for integration in published media, such as posters, flyers, magazines.

72960 items

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The Interview of Tom Jones and Sophia, After the Reconciliation.

The Interview of Tom Jones and Sophia, After the Reconciliation. (1789)

John Downman (English, 1750-1824)
The Intruder; Hurry up, Sam. Never mind Patriotism

The Intruder; Hurry up, Sam. Never mind Patriotism (1919)

William Henry Walker (American, 1871-1938)
The Invalid

The Invalid (1835)

Honoré Daumier (French, 1808-1879)
The invasion of England

The invasion of England (1909)

Louis Glackens (American, 1866-1933)
The Invasion, Plate I; France

The Invasion, Plate I; France (1756)

William Hogarth (English, 1697-1764)
The Invasion, Plate II; England

The Invasion, Plate II; England (1756)

William Hogarth (English, 1697-1764)
The investiture of the Order of the Bath. At the head quarters of the British army before Sebastopol

The investiture of the Order of the Bath. At the head quarters of the British army before Sebastopol (1855)

William Simpson (Scottish, 1823-1899)
The investiture of the Order of the Bath. At the head quarters of the British army before Sebastopol

The investiture of the Order of the Bath. At the head quarters of the British army before Sebastopol

Edmond Morin (French, 1824–1882)
The invincible army

The invincible army (1893-1900)

Charles Dana Gibson (American, 1867 - 1944)
The invincible army

The invincible army (1900)

Charles Dana Gibson (American, 1867 - 1944)
The Invitation

The Invitation (1883-1884)

Elihu Vedder (American, 1836-1923)
The Invocation

The Invocation (1916-1917)

Louis Raemaekers (Dutch, 1869-1956)
The Ionick base in perspective.

The Ionick base in perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
The Ionick capital in perspective.

The Ionick capital in perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
The Ionick pedestal in perspective; with the manner of avoiding confusion, in elevations.

The Ionick pedestal in perspective; with the manner of avoiding confusion, in elevations. (1707)

Andrea Pozzo (Italian, 1642-1709)
The Iris

The Iris (1897)

Alphonse Mucha (Czech, 1860-1939)
The Iris

The Iris

Mary Darly (English, active 1756-1779)
The Iris; Presented to

The Iris; Presented to (1851)

Christian Schussele (American, 1824 – 1879)
The Irish And American Bar, Rue Royale

The Irish And American Bar, Rue Royale (1896)

Henri de Toulouse-Lautrec (French, 1864-1901)
The Iron Mine

The Iron Mine (1916)

Joseph Pennell (American, 1857-1926)
The Irreparable (L’Irreparable)

The Irreparable (L’Irreparable) (1898)

Félix Vallotton (French, 1865-1925)
The irrepressible conflict

The irrepressible conflict (1895)

Charles Jay Taylor (American, 1855-1929)
The Isabelle polka, by Charles d’Albert

The Isabelle polka, by Charles d’Albert (1840-1859)

John Brandard (English, 1812-1863)
The isthmian canal game

The isthmian canal game (1902)

Udo Keppler (American, 1872 – 1956)
The Italian Crisis

The Italian Crisis (1919)

John Tinney McCutcheon (American, 1870-1949)
The Itinerant Potters

The Itinerant Potters (1797)

Francis Wheatley (English, 1747 - 1801)
The Jack-Knife

The Jack-Knife (1859)

Felix Octavius Carr Darley (American, 1822 – 1888)
The Jaguar, the Hedgehog, the Tortoise and the Armadillo all in a heap

The Jaguar, the Hedgehog, the Tortoise and the Armadillo all in a heap (1902)

Rudyard Kipling (English, 1865-1936)
The jam of the Johnson boom

The jam of the Johnson boom (1908)

Udo Keppler (American, 1872 – 1956)
The Japanese Painter

The Japanese Painter (1900-1901)

Emil Orlik (Czech, 1870-1932)
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License: All public domain files can be freely used for personal and commercial projects. .
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