54938 items

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He used to be ‘A Menace’ – now he finds himself a fad

He used to be ‘A Menace’ – now he finds himself a fad (1906)

John Samuel Pughe (American, 1870-1909)
The Disappointment: Sketch no. 4, The Place of Action (Near the Stone Bridge), A Room in Washball’s House

The Disappointment: Sketch no. 4, The Place of Action (Near the Stone Bridge), A Room in Washball’s House (1934-1943)

Wood MacLane (American, 19th/20th century)
Vrouw op ziekenbezoek

Vrouw op ziekenbezoek (1887 - 1916)

Willem Pothast (Dutch, 1877-1916)
Szene vor dem Zeughaus 13. März 1848

Szene vor dem Zeughaus 13. März 1848 (1908)

Otto Friedrich (Austrian, 1862 - 1937)
Skazka o t︠s︡ari︡e︡ Saltani︠e︡ Pl.12

Skazka o t︠s︡ari︡e︡ Saltani︠e︡ Pl.12 (1905)

Ivan Bilibin (Russian, 1876-1942)
The baker

The baker (1910)

Paul Hey (German, 1867–1952)
The latest thing in nightmares

The latest thing in nightmares (1906)

John Samuel Pughe (American, 1870-1909)
Habit of a corporal of the Warasdin Pandours in 1742. Carporal des Pandoures Waradins.

Habit of a corporal of the Warasdin Pandours in 1742. Carporal des Pandoures Waradins. (1757-1772)

Charles Grignion (English, 1721–1810)
Vêtements et accessoires d’automobile

Vêtements et accessoires d’automobile

Marc Saurel
Le bon Dieu chez les enfants Pl.11

Le bon Dieu chez les enfants Pl.11 (1920)

Francis Jammes (French, 1868-1938)
Three women look at prints in a studio

Three women look at prints in a studio

Henri-Patrice Dillon (French, 1850-1909)
The Delicate Investigation or Secrets of – Time Three o’ Clock in the Morning!!!

The Delicate Investigation or Secrets of – Time Three o’ Clock in the Morning!!! (1813)

Charles Williams (English, ?-1830)
Woman’s costume; Short green skirt, 1

Woman’s costume; Short green skirt, 1 (1919)

Will R. Barnes (American, ?-1939)
Fresh paint

Fresh paint (1914)

Henry Mayer (American, 1868-1954)
Polka from Le diable à quatre

Polka from Le diable à quatre (1840-1849)

John Brandard
The necessity of the period — ‘to make both ends meet’

The necessity of the period — ‘to make both ends meet’ (1869)

Thomas Nast (American, 1840-1902)
Camembert double crème

Camembert double crème

Anonymous
Primitive Races – Skirts

Primitive Races – Skirts (1926-1927)

Paul Louis de Giafferri (French, 20th Century)
Mayn khorever heym: a gedekhnish Pl.05

Mayn khorever heym: a gedekhnish Pl.05 (1923)

Issachar Ber Ryback (French, 1897-1935)
5.- V tanci

5.- V tanci (1936)

Andrej Kováčik (Slovak, 1889-1953)
I’ und der Mond drah’n mitanand…

I’ und der Mond drah’n mitanand…

Fritz Schönpflug (Austrian, 1873-1951)
Marie Taglioni in Le dieu et la bayadère

Marie Taglioni in Le dieu et la bayadère (1834-08)

Alfred Edward Chalon (English, 1780-1860)
Nr. 288: Porträt einer jungen

Nr. 288: Porträt einer jungen (1910)

Egon Schiele (Austrian, 1890-1918)
Figuras

Figuras (circa 1918-23)

Rafael Barradas (Uruguayan, 1890–1929)
Louisa

Louisa (1849)

Currier & Ives. (American, 1835 - 1907)
Aziyadé.

Aziyadé. (1909-1911)

Anonymous
Un empirique

Un empirique (1874)

André Gill (French, 1840 - 1885)
L’œil du maître (Hernani)

L’œil du maître (Hernani) (1877)

Henri Demare (French, 1846-1888)
Mother Earth’s children; the frolics of the fruits and vegetables Pl.74

Mother Earth’s children; the frolics of the fruits and vegetables Pl.74 (1914)

Marion T. Ross (American, 1881-1937)
Barrière ou Le Mandat de Damonclèche

Barrière ou Le Mandat de Damonclèche

Paul Klenck