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Illustration

Decoration, interpretation or visual explanation of a text, concept or process, designed for integration in published media, such as posters, flyers, magazines.

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Guimauve

Guimauve (1840s)

J. J. Grandville (French, 1803-1847)
Taft to-morrow

Taft to-morrow (1908)

Louis Glackens (American, 1866-1933)
Henri de Saint-Clair

Henri de Saint-Clair (1869)

Joseph Mollard (French, 1833 - 1888)
Dante Alighieri’s The Divine Comedy. Vol. 3, Paradise Pl.15

Dante Alighieri’s The Divine Comedy. Vol. 3, Paradise Pl.15 (1871)

Gustave Doré (French, 1832-1883)
Misiurka 2

Misiurka 2 (1849 - 1853)

Fedor Grigoryevich Solntsev (Russian, 1801 – 1892)
Aide-memoire general et alphabetique des ingenieurs Pl.04

Aide-memoire general et alphabetique des ingenieurs Pl.04 (1848)

Georges Tom Richard (French, 19th Century)
The Flight of Mary Queen of Scots to England

The Flight of Mary Queen of Scots to England (1794)

Francesco Bartolozzi (English, 1727-1815)
St. Paul’s Cathedral

St. Paul’s Cathedral (1809)

Thomas Rowlandson (English, 1756-1827)
‘Man muss die Fehler übersehen …’

‘Man muss die Fehler übersehen …’ (1932)

John Elsas (German, 1851–1935)
Monogrammy Pl.14

Monogrammy Pl.14 (1902)

A. Litke (Russian, 19th/20th Century)
The Curate and Barber Disguising Themselves to Convey Don Quixote Home

The Curate and Barber Disguising Themselves to Convey Don Quixote Home (1756)

William Hogarth (English, 1697-1764)
Courts of Jamshyd

Courts of Jamshyd (1883-1884)

Elihu Vedder (American, 1836-1923)
A Celebration of Gallantry

A Celebration of Gallantry (1865)

Tsukioka Yoshitoshi (Japanese, 1839-1892)
Yachigusa v. 6, Pl.23

Yachigusa v. 6, Pl.23 (1902-1903)

Seikō Ueno (Japanese, 19th/20th Century)
Happy families Pl.32

Happy families Pl.32 (1860s)

Sir John Tenniel (English, 1820-1914)
Ma tante Amélie dit que t’es bien gentil mais que c’est dommage que tu es trop bête..

Ma tante Amélie dit que t’es bien gentil mais que c’est dommage que tu es trop bête.. (1838-1840)

Paul Gavarni (French, 1804-1866)
Ornamente aller klassischen Kunst-Epochen nach den Originalien in ihren eigenthümlichen Farben Pl.054

Ornamente aller klassischen Kunst-Epochen nach den Originalien in ihren eigenthümlichen Farben Pl.054 (1870)

Wilhelm Zahn (German, 1800-1871)
Perhaps this is why some of us favor Japan

Perhaps this is why some of us favor Japan

Homer Davenport (American, 1867 – 1912)
World Economic, Cattle, The Beef Trade

World Economic, Cattle, The Beef Trade (1943)

John Paul Goode (American, 1862 – 1932)
Asia; Political,‎ ‎Showing‎ ‎European‎ ‎Power

Asia; Political,‎ ‎Showing‎ ‎European‎ ‎Power (1940)

London Geographical Institute (English, 19th/20th century)
Moon over the pine forest of Mio

Moon over the pine forest of Mio (1885-1892)

Tsukioka Yoshitoshi (Japanese, 1839-1892)
Chinese prints pl.110

Chinese prints pl.110 (1871-1894)

A. F. Stoddard & Company (Scottish, 1871-1894)
École‎ ‎Italienne – Léonard‎ ‎de‎ ‎Vinci et ‎Luca‎ ‎Pacioli – Alphabet‎ ‎attique,‎ ‎avec‎ ‎construction‎ ‎géométrique‎

École‎ ‎Italienne – Léonard‎ ‎de‎ ‎Vinci et ‎Luca‎ ‎Pacioli – Alphabet‎ ‎attique,‎ ‎avec‎ ‎construction‎ ‎géométrique‎ (1895)

Alfred Prunaire (French, 1837 - 1912)
Design for the decoration of a beamed ceiling

Design for the decoration of a beamed ceiling (1840–97)

Jules-Edmond-Charles Lachaise (French, ?-1897)
Café des alliés

Café des alliés (1920)

Jean-Émile Laboureur (French, 1877–1943)
Habit of Maria Theresa of Austria Infanta of Spain in 1660. Marie Thérese d’Autriche Infante d’Espagne.

Habit of Maria Theresa of Austria Infanta of Spain in 1660. Marie Thérese d’Autriche Infante d’Espagne. (1757-1772)

Charles Grignion (English, 1721–1810)
Stephano, Trinculo and Caliban with Prospero’s Magic Wardrobe

Stephano, Trinculo and Caliban with Prospero’s Magic Wardrobe (1821)

Robert Smirke (English, 1752 - 1845)
Theater costum.

Theater costum. (1811)

Anonymous
Griechen

Griechen (1884)

Friedrich Hottenroth (German, 1840-1917)
Armide

Armide (1703)

Franz Ertinger (German, 1640–1710)
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