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A Silver Mine at Sala, I; illustration for La Motraye’s ‘Travels’

A Silver Mine at Sala, I; illustration for La Motraye’s ‘Travels’ (1723)

William Hogarth (English, 1697-1764)
I’ll only take about a dozen more hairs and then your honour will have the true London cut.

I’ll only take about a dozen more hairs and then your honour will have the true London cut. (19th century)

Anonymous
Hors barrière

Hors barrière

Faustin Betbeder (French, 1847-1914)
Inventions of military machines and other devices Pl.67

Inventions of military machines and other devices Pl.67 (1580-1590)

Ralph Rabbards
The Fox and the Grapes

The Fox and the Grapes (1908)

Walter Crane (English, 1845 - 1915)
Rudiments of curvilinear design Pl.40

Rudiments of curvilinear design Pl.40 (1839)

George Phillips
‘Lange Gardien’ – Anioł Stróż

‘Lange Gardien’ – Anioł Stróż (after 1908)

Tadeusz Makowski (Polish, 1882-​1932)
The call for help

The call for help (1910)

Frederic Remington (American, 1861 - 1909)
The Bruce Passing the Peveril Coach and Manchester Mail

The Bruce Passing the Peveril Coach and Manchester Mail (1837)

Henry Thomas Alken (English, 1785 – 1851)
The Woods and the Woodman

The Woods and the Woodman (1900)

Percy J. Billinghurst (English, 1871-1933)
L’esposizione marittima visitata da Dante e Virgilio Pl.18

L’esposizione marittima visitata da Dante e Virgilio Pl.18 (1871)

Antonio Manganaro (Italian, 1842-1920)
Cotillon

Cotillon (1909)

Anonymous
Mr. Jackson … actor, manager, and dramatist

Mr. Jackson … actor, manager, and dramatist

George Perfect Harding (English, 1781 – 1853)
Dudulada

Dudulada (1922)

Anonymous
Pas possible.. Je suis de service.. En revenant je ne dis pas

Pas possible.. Je suis de service.. En revenant je ne dis pas

Charles-Joseph Traviès de Villers (French, 1804-1859)
‘I am sure many people will stop and remember the Potato Face Blind Man’

‘I am sure many people will stop and remember the Potato Face Blind Man’ (1922)

Miska Petersham
Two seated figures flanking one standing figure

Two seated figures flanking one standing figure (1822)

Antonio del Río
Harmony in red; Lamplight

Harmony in red; Lamplight

James Abbott McNeill Whistler (American, 1834-1903)
Le Bonheur du Jour ou Les Graces à la Mode

Le Bonheur du Jour ou Les Graces à la Mode (1924)

George Barbier (French, 1882 - 1932)
O! You’re a devil, get along do.

O! You’re a devil, get along do. (1800)

Thomas Rowlandson (English, 1756-1827)
Je t’ai promis mon baiser pour ce soir ma brune – n’oublie pas qu’tas promis aussi de payer mon terme

Je t’ai promis mon baiser pour ce soir ma brune – n’oublie pas qu’tas promis aussi de payer mon terme (1906)

Fernand Louis Gottlob (French, 1873-1935)
Love laughs at locksmiths

Love laughs at locksmiths (1813)

Thomas Rowlandson (English, 1756-1827)
Siegfried – maquette de décor – acte IV, la gare frontière

Siegfried – maquette de décor – acte IV, la gare frontière (1828)

Jean-Camille Cipra
‘But Trust the Muse, She Saw it Upward Rise’

‘But Trust the Muse, She Saw it Upward Rise’ (1913)

Harry Clarke (Irish, 1889–1931)
Sing a song for Sixpence Pl.6

Sing a song for Sixpence Pl.6 (1887)

Randolph Caldecott (English, 1846 – 1886)
Flowers Fall and the Head of a Python Appears

Flowers Fall and the Head of a Python Appears (1896)

Odilon Redon (French, 1840-1916)
you have spotted the détective , … What !

you have spotted the détective , … What ! (1900-1934)

Georges Goursat (Sem) (French, 1863–1934)
Full-length figure of Ophelia

Full-length figure of Ophelia (1880)

V. Zippenfeld
The Sands

The Sands (1813)

Thomas Rowlandson (English, 1756-1827)
Fairy-tale representation

Fairy-tale representation

Heinrich Vogeler (German, 1872 – 1942)