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Figurative

Describes any form of art that retains strong references to the real world and particularly to the human figure.

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Bathers

Bathers (1922)

Leo Putz (German, 1869–1940)
Self-Portrait in the Artist’s Studio

Self-Portrait in the Artist’s Studio (1862)

Emile Masson
Boy in a visored cap

Boy in a visored cap (1923)

Tadeusz Makowski (Polish, 1882-​1932)
Portrait de Marie de Rabutin-Chantal, marquise de Sévigné (1626-1696), d’après le portrait de Claude Lefébvre

Portrait de Marie de Rabutin-Chantal, marquise de Sévigné (1626-1696), d’après le portrait de Claude Lefébvre (1898)

Basile Lemeunier (French, 1852 - 1922)
Courtship

Courtship (1885)

Nikolai Dmitrievich Kuznetsov (Russian, 1850-1929)
Five Ladies in an Interior

Five Ladies in an Interior (c. 1630 - c. 1652)

Dirck Van Delen (Dutch, 1604 - 1671)
The Dream of the Shepherd

The Dream of the Shepherd (1896)

Ferdinand Hodler (Swiss, 1853-1918)
Cafe Tomaselli In Salzburg

Cafe Tomaselli In Salzburg (1905)

Theodor Josef Ethofer (Austrian, 1849 - 1915)
Sunday at the mine (Rest at the mine)

Sunday at the mine (Rest at the mine) (1882)

Jacek Malczewski (Polish, 1854–1929)
Frühes Selbstbildnis

Frühes Selbstbildnis (1930)

Walther Gamerith (Austrian, 1903-1949)
Tragic News

Tragic News (1844)

John Thomas Peele (English, 1822-1897)
Portrait of Martin Luther (1483-1546)

Portrait of Martin Luther (1483-1546) (1540 – 1640)

Lucas Cranach the Younger (German, 1515-1586)
Podobizeň Eugena Deila

Podobizeň Eugena Deila (1907)

Július Éder (Slovak, 1875-1945)
Young Boy on the Beach, Sketch for ‘Oyster Gatherers of Cancale’

Young Boy on the Beach, Sketch for ‘Oyster Gatherers of Cancale’ (1877)

John Singer Sargent (American, 1856-1925)
Portrait d’Elisabeth de Flavigny, marquise de La Grange

Portrait d’Elisabeth de Flavigny, marquise de La Grange (1852)

Edouard Dubuffe
La route de Rouen, les hauteurs de l’Hautil, Pontoise

La route de Rouen, les hauteurs de l’Hautil, Pontoise (1872)

Camille Pissarro (French, 1830-1903)
By the Spinning Wheel

By the Spinning Wheel (1867)

Adolph Tidemand (Norwegian, 1814-1876)
Portrait of a lady seated in a landscape with her pet dog and a monkey

Portrait of a lady seated in a landscape with her pet dog and a monkey

Nicolas de Largillière (French, 1656 - 1746)
Portrait of Ludwika Groppler

Portrait of Ludwika Groppler (1872)

Jan Matejko (Polish, 1838-1893)
Der Bettler

Der Bettler (1837)

Franz Eybl (Austrian, 1806-1880)
Femme à la robe bleue

Femme à la robe bleue (1944)

Charles Walch (French, 1898–1948)
Ritratto di Massimo d’ Azeglio

Ritratto di Massimo d’ Azeglio (1860)

Francesco Hayez (Italian, 1791 - 1882)
Nu de dos

Nu de dos (1900)

Pierre-Auguste Renoir (French, 1841-1919)
Harvest

Harvest (circa 1900)

Włodzimierz Tetmajer (Polish, 1861 - 1923)
Ange vu jusqu’à la taille, de trois quarts à gauche

Ange vu jusqu’à la taille, de trois quarts à gauche

Nicolas Lagneau (French, active 1600-1650)
Sitting Bull

Sitting Bull

Julian Scott (American, 1846 – 1901)
The Blind Man of Paris

The Blind Man of Paris (1895)

Thomas Satterwhite Noble (American, 1835 – 1907)
The Black Hat (Miss Dorothy Hart)

The Black Hat (Miss Dorothy Hart) (1916)

Henry Golden Dearth (American, 1864-1918)
Bildnis Louise Maurer, Mutter des Künstlers

Bildnis Louise Maurer, Mutter des Künstlers (1885)

Serafin Maurer
In The Morning

In The Morning (1877)

Gustavus Arthur Bouvier (English, 1837–1921)
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