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The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot); Eighth Night

The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot); Eighth Night (c. 1560)

Shravana
Flowers Pl.06

Flowers Pl.06 (19th Century)

Liang Yuwei (Chinese, 1844–1917)
Kingfisher hunting for fish

Kingfisher hunting for fish (1900 - 1930)

Ohara Koson (Japanese, 1877-1945)
Shōki Creeping Up on a Sleeping Demon

Shōki Creeping Up on a Sleeping Demon (1882)

Tsukioka Yoshitoshi (Japanese, 1839-1892)
Unai no tomo Pl. 132

Unai no tomo Pl. 132 (1913)

Shimizu Seifū (Japanese, 1851-1913)
The Great Fire at Ryōgoku Bridge, Viewed from Asakusa Bridge on the 26th of January, 1881

The Great Fire at Ryōgoku Bridge, Viewed from Asakusa Bridge on the 26th of January, 1881 (1881)

Kobayashi Kiyochika (Japanese, 1847-1915)
Ichi

Ichi (1843)

Utagawa Kuniyoshi (Japanese, 1797-1861)
Woman and Maid

Woman and Maid (possibly 1750)

Nishikawa Sukenobu (Japanese, 1671-1754)
Ōyō Sketchbook (Ōyō manga) Pl.31

Ōyō Sketchbook (Ōyō manga) Pl.31 (1903)

Ogino Issui (Japanese, active ca. 1900-1910)
Onoe Matsusuke I as a Samurai Standing Beneath a Cherry Tree

Onoe Matsusuke I as a Samurai Standing Beneath a Cherry Tree (late 1780s)

Katsukawa Shun'ei (Japanese, 1762 – 1819)
Act IX; Oishi Disguises Yuranosuke as a Komusō (Flute-Playing Monk); Oishi Attacks Honzō for Having Brought about Enya’s Demise

Act IX; Oishi Disguises Yuranosuke as a Komusō (Flute-Playing Monk); Oishi Attacks Honzō for Having Brought about Enya’s Demise (circa 1835)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Unai no tomo Pl. 055

Unai no tomo Pl. 055 (1913)

Shimizu Seifū (Japanese, 1851-1913)
Full Moon over Takanawa, from the series Famous Places in the Eastern Capital

Full Moon over Takanawa, from the series Famous Places in the Eastern Capital (c. 1831)

Andō Hiroshige (Japanese, 1797 – 1858)
Oniwakamaru Observing the Great Carp in the Pond

Oniwakamaru Observing the Great Carp in the Pond (1889)

Tsukioka Yoshitoshi (Japanese, 1839-1892)
Uryō tōgen

Uryō tōgen (1830)

Keisai Eisen (Japanese, 1790-1848)
Unai no tomo Pl. 175

Unai no tomo Pl. 175 (1913)

Shimizu Seifū (Japanese, 1851-1913)
Sketchbook Pl.024

Sketchbook Pl.024 (1826-1840)

Ariyoshi Kondo (Japanese, active 1830 - 1850)
The Death of the Bride Mitsue

The Death of the Bride Mitsue (1875)

Tsukioka Yoshitoshi (Japanese, 1839-1892)
Flowers Pl.08

Flowers Pl.08 (19th Century)

Liang Yuwei (Chinese, 1844–1917)
Keinen kachō gafu Pl.022

Keinen kachō gafu Pl.022 (1891)

Imao Keinen (Japanese, 1845 – 1924)
Moonlight Patrol (Gekka no sekko)

Moonlight Patrol (Gekka no sekko) (1885-1892)

Tsukioka Yoshitoshi (Japanese, 1839-1892)
Illustrated Catalogue of Daylight Bomb Shells No. 2

Illustrated Catalogue of Daylight Bomb Shells No. 2 (1883)

Jinta Hirayama (Japanese, 19th Century)
Keinen shūgajō Pl.76

Keinen shūgajō Pl.76 (1906)

Imao Keinen (Japanese, 1845 – 1924)
Bijutsukai Pl.194

Bijutsukai Pl.194 (1901)

Furuya Kōrin (Japanese, 1875 - 1910)
Mokugo zuanshū Pl.13

Mokugo zuanshū Pl.13 (1908)

Asai Chū (Japanese, 1856 – 1907)
Yasuhide, from the series ‘Six Immortal Poets (Rokkasen)’ II

Yasuhide, from the series ‘Six Immortal Poets (Rokkasen)’ II (c. 1789-90)

Chōbunsai Eishi (Japanese, 1756-1829)
Fuchu

Fuchu (ca. 1841–1842)

Andō Hiroshige (Japanese, 1797 – 1858)
Noblewomen of the Tokugawa Period; Thirty-six Beauties (Sanjuroko kasensoro) Pl.20

Noblewomen of the Tokugawa Period; Thirty-six Beauties (Sanjuroko kasensoro) Pl.20 (1891–1893)

Toshikata Mizuno (Japanese, 1866-1908)
A Buddhist monk receives cassia seeds on a moonlit night (Bonso tsukiyo ni keishi o uku)

A Buddhist monk receives cassia seeds on a moonlit night (Bonso tsukiyo ni keishi o uku) (1885-1892)

Tsukioka Yoshitoshi (Japanese, 1839-1892)
Sketchbook Pl.080

Sketchbook Pl.080 (1826-1840)

Ariyoshi Kondo (Japanese, active 1830 - 1850)