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Abstract

Art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colours, forms and gestural marks to achieve its effect

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Floréal; dessins & coloris nouveaux Pl.18

Floréal; dessins & coloris nouveaux Pl.18 (1925)

Emile-Allain Séguy (French, 1877-1951)
Prints, The Baltimore Museum of Art

Prints, The Baltimore Museum of Art (1965)

John Blair Mitchell (American, 1921-1999)
Die Überlebenden

Die Überlebenden (1948)

Walther Gamerith (Austrian, 1903-1949)
Zvážanie dreva

Zvážanie dreva (1930–1939)

Arnold Peter Weisz-Kubínčan (Slovak, 1898 - 1944)
Empfängnis

Empfängnis

Gottfried Graf (German, 1881–1938)
Chiesa dei Gesuati in Venice

Chiesa dei Gesuati in Venice

Jules Schmalzigaug (Belgian, 1882-1917)
Art – Goût – Beauté, Feuillets de l’ élégance féminine, Janvier 1924, No. 41, 4e Année, p. 1

Art – Goût – Beauté, Feuillets de l’ élégance féminine, Janvier 1924, No. 41, 4e Année, p. 1 (1924)

Charles Goy (French, 19th/20th Century)
Nie wieder Krieg!

Nie wieder Krieg! (around 1928)

Karl Wiener (Austrian, 1901-1949)
Tray with a cup, saucer and glass on a table

Tray with a cup, saucer and glass on a table (c. 1916)

Reijer Stolk (Dutch, 1896 - 1945)
Land and Sky, France

Land and Sky, France (1908)

John Marin (American, 1870-1953)
Die Zeichen Pl.6

Die Zeichen Pl.6 (1919-1920)

Otto Freundlich (German, 1878-1943)
Lying nude

Lying nude (1934–1935)

Mikuláš Galanda (Slovak, 1895 – 1938)
Lopende man met een last op de rug

Lopende man met een last op de rug (1874)

Carel Adolph Lion Cachet (Dutch, 1864 – 1945)
Pejzaż wiejski

Pejzaż wiejski (1940)

Kazimierz Wojtanowicz (Polish, 1913-?)
Composition II

Composition II (ca. 1916)

Patrick Henry Bruce (American, 1881-1936)
La Bouche d’ombre

La Bouche d’ombre (1855-1857)

Victor Hugo (French, 1802 – 1885)
Muž a žena

Muž a žena (1915)

Antonin Procházka (Czech, 1882-1945)
Le Zèbre

Le Zèbre (circa 1928 - 1929)

Francis Picabia (French, 1879-1953)
Le viaduc de Vence

Le viaduc de Vence

Raoul Dufy (French, 1877 – 1953)
Ships in the South Harbor, sketch

Ships in the South Harbor, sketch

Akseli Gallen-Kallela (Finnish, 1865 - 1931)
Park (Sonntagnachmittag)

Park (Sonntagnachmittag) (1930)

Wilhelm Thöny (Austrian, 1888-1949)
Marmorpapier

Marmorpapier (1894 - 1902)

Otto Eckmann (German, 1865 – 1902)
V

V (1917)

Anonymous
Musikant

Musikant (1913)

Adolf Wölfli (Swiss, 1864 – 1930)
Uw jeugd vernieuwt als eens arends

Uw jeugd vernieuwt als eens arends (1908)

Adriaan van't Hoff (Dutch, 1893-1939)
Abstracte compositie

Abstracte compositie (1920)

Erich Wichmann (Dutch, 1890-1929)
Abstrakter Kopf; Blau-Rot (Abstract Head; Blue-Red)

Abstrakter Kopf; Blau-Rot (Abstract Head; Blue-Red) (1933)

Alexej von Jawlensky (Russian, 1864-1941)
Symbolic scene

Symbolic scene (before 1945)

Tytus Czyżewski (Polish, 1880-1945)
Schabloniertes Papier (Schablonenspritzpapier)

Schabloniertes Papier (Schablonenspritzpapier) (before 1927)

Walter Birke (German, 19th/20th century)
Desire

Desire (1927)

Mikuláš Galanda (Slovak, 1895 – 1938)
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