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Théophile Alexandre Steinlen
Théophile Alexandre Steinlen

Théophile Alexandre Steinlen

Swiss, 1859-1923
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Théophile Alexandre Steinlen, was a Swiss-born French Art Nouveau painter and printmaker.

Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.

In the early 1890s, Steinlen's paintings of rural landscapes, flowers, and nudes were being shown at the Salon des Indépendants. His 1895 lithograph titled Les Chanteurs des Rues was the frontispiece to a work entitled Chansons de Montmartre published by Éditions Flammarion with sixteen original lithographs that illustrated the Belle Époque songs of Paul Delmet. His permanent home, Montmartre and its environs, was a favorite subject throughout Steinlen's life and he often painted scenes of some of the harsher aspects of life in the area. His daughter Colette was featured in much of his work. In addition to paintings and drawings, he also did sculpture on a limited basis, most notably figures of cats that he had great affection for as seen in many of his paintings. Steinlen included cats in many of his illustrations, and even published a book of his designs, "Dessins Sans Paroles Des Chats."

Steinlen became a regular contributor to Le Rire and Gil Blas magazines plus numerous other publications including L'Assiette au Beurre and Les Humouristes, a short-lived magazine he and a dozen other artists jointly founded in 1911. Between 1883 and 1920, he produced hundreds of illustrations, a number of which were done under a pseudonym so as to avoid political problems because of their harsh criticisms of societal ills. His art influenced the work of other artists, including Pablo Picasso.

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Chemineau traversant un village endormi

Chemineau traversant un village endormi (1902)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Coeurs en détresse

Coeurs en détresse (1898)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Comme en quatre vingt treize

Comme en quatre vingt treize (1901)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Comment l’amour vient aux chats

Comment l’amour vient aux chats (1884)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Concert de l’Association Nationale des Anciens Élèves du Conservatoire – programme

Concert de l’Association Nationale des Anciens Élèves du Conservatoire – programme (1916)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Contes à Sara – Le Chat et la Pelote

Contes à Sara – Le Chat et la Pelote (1885)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Convoitise

Convoitise (1898)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Coq et poules

Coq et poules (1896)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Côtier

Côtier (1893)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Couple sur un banc

Couple sur un banc (1930)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Dans la Rue

Dans la Rue (1891)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Dans la rue, gigolots et gigolettes

Dans la rue, gigolots et gigolettes (1895)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Dans la Rue

Dans la Rue (1891)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Dans toute sa gloire

Dans toute sa gloire (1894)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Déclaration

Déclaration (1894)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Demain

Demain (1894)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Des Sénégalais passent

Des Sénégalais passent (1917)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Des territoriaux

Des territoriaux (1917)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Deux chats au repos

Deux chats au repos (1914)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Deux chats côte à côte

Deux chats côte à côte

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Deux chats endormis

Deux chats endormis (1914)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Deux chats sur un coussin

Deux chats sur un coussin (1898)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Deux femmes dans la rue

Deux femmes dans la rue (1913)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Deux femmes en chapeau

Deux femmes en chapeau (1913)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Deux femmes

Deux femmes (1902)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Deux femmes

Deux femmes (1902)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Deux gigolettes et deux gigolos

Deux gigolettes et deux gigolos (1898)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Deux modèles nus

Deux modèles nus (1902)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Devant l’invasion

Devant l’invasion (1915)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Dispute de filles

Dispute de filles (1895)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
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