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Théophile Alexandre Steinlen - Deux chats au repos
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Théophile Alexandre Steinlen

Théophile Alexandre Steinlen, was a Swiss-born French Art Nouveau painter and printmaker.

Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.

In the early 1890s, Steinlen's paintings of rural landscapes, flowers, and nudes were being shown at the Salon des Indépendants. His 1895 lithograph titled Les Chanteurs des Rues was the frontispiece to a work entitled Chansons de Montmartre published by Éditions Flammarion with sixteen original lithographs that illustrated the Belle Époque songs of Paul Delmet. His permanent home, Montmartre and its environs, was a favorite subject throughout Steinlen's life and he often painted scenes of some of the harsher aspects of life in the area. His daughter Colette was featured in much of his work. In addition to paintings and drawings, he also did sculpture on a limited basis, most notably figures of cats that he had great affection for as seen in many of his paintings. Steinlen included cats in many of his illustrations, and even published a book of his designs, "Dessins Sans Paroles Des Chats."

Steinlen became a regular contributor to Le Rire and Gil Blas magazines plus numerous other publications including L'Assiette au Beurre and Les Humouristes, a short-lived magazine he and a dozen other artists jointly founded in 1911. Between 1883 and 1920, he produced hundreds of illustrations, a number of which were done under a pseudonym so as to avoid political problems because of their harsh criticisms of societal ills. His art influenced the work of other artists, including Pablo Picasso.

More Artworks by Théophile Alexandre Steinlen (View all 491 Artworks)

La Rafle

La Rafle (1893)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Steinlen and his art – Cover

Steinlen and his art – Cover (1912)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Vous ne tousserez jamais, en prenant, des, tablettes, Brunet

Vous ne tousserez jamais, en prenant, des, tablettes, Brunet (1889)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Apache dancers

Apache dancers (1890 - 1899)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Le retour du lavoir

Le retour du lavoir (1902)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Aux électeurs

Aux électeurs (1898)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Pas des marionnettes, air de ballet pour piano par Emile Pessard

Pas des marionnettes, air de ballet pour piano par Emile Pessard (1888)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Demain

Demain (1894)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Fanfreluches

Fanfreluches (1897)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Le retour du lavoir

Le retour du lavoir (1902)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Chant moldave par Ch. Grisart

Chant moldave par Ch. Grisart (1889)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Fortifs

Fortifs (1892)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Ouvriers sortant de l’usine

Ouvriers sortant de l’usine (1903)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Refugee Family

Refugee Family (1915)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Sur la plage

Sur la plage (1900)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
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