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Byam Shaw
Byam Shaw

Byam Shaw

English, 1872 - 1919
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John Byam Liston Shaw, commonly known as Byam Shaw, was a British painter, illustrator, designer and teacher.

Byam Shaw was born in Madras; his father, John, was the registrar of the High Court at Madras. The family returned to England in 1878 where they settled in Kensington, living at 103 Holland Row. He showed early artistic promise, and in 1887 his work was shown to John Everett Millais, who recommended that the 15-year-old should enter the St John's Wood Art School. There, he first met fellow artists Gerald Fenwick Metcalfe (also born in India) and Rex Vicat Cole. He also met Evelyn Pyke-Nott, his future wife, there. From 1890, Shaw studied at the Royal Academy Schools where he won the Armitage Prize in 1892 for his work The Judgement of Solomon.

Throughout his career Byam Shaw worked competently in a wide variety of media including oils, watercolour, pastels, pen and ink and deployed techniques such as dyeing and gilding. He was influenced by the Pre-Raphaelites and took many of his subjects from the poems of Rossetti. He exhibited frequently at Dowdeswell and Dowdeswell's gallery in New Bond Street, where he had at least five solo exhibitions between 1896 and 1916.

Later in his life his popularity as an artist waned, and he turned to teaching for his living. He taught at the Women's Department of King's College London from 1904 and in 1910, with Rex Vicat Cole, he founded the Byam Shaw and Vicat Cole School of Art later renamed simply the "Byam Shaw School of Art".

274 items

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Last Summer Things Were Greener

Last Summer Things Were Greener (1901)

Byam Shaw (English, 1872 - 1919)
Figurative
The Woman, The Man And The Serpent

The Woman, The Man And The Serpent (1911)

Byam Shaw (English, 1872 - 1919)
Religion
Rising Spring

Rising Spring

Byam Shaw (English, 1872 - 1919)
Mythology
The Lure

The Lure

Byam Shaw (English, 1872 - 1919)
Figurative
The Queen of Spades

The Queen of Spades (1898)

Byam Shaw (English, 1872 - 1919)
Figurative
The Queen of Hearts

The Queen of Hearts (1896)

Byam Shaw (English, 1872 - 1919)
Figurative
Cupid And Campaspe

Cupid And Campaspe (1899)

Byam Shaw (English, 1872 - 1919)
Mythology
‘Old Faithful, as the Two Supporters Stood Bolt Upright with Drawn Swords One on Either Side…,’

‘Old Faithful, as the Two Supporters Stood Bolt Upright with Drawn Swords One on Either Side…,’ (1913)

Byam Shaw (English, 1872 - 1919)
Illustration
‘Love liketh not the falling fruit, nor the wither’d tree’

‘Love liketh not the falling fruit, nor the wither’d tree’

Byam Shaw (English, 1872 - 1919)
Figurative
The comforter

The comforter (1898)

Byam Shaw (English, 1872 - 1919)
Religion
The Gaberlunzie Man

The Gaberlunzie Man

Byam Shaw (English, 1872 - 1919)
Figurative
A winter’s tale; Behold and say tis well Act V, Scene III

A winter’s tale; Behold and say tis well Act V, Scene III (1900)

Byam Shaw (English, 1872 - 1919)
Illustration
A winter’s tale; Come to the pedlar, money’s a medler

A winter’s tale; Come to the pedlar, money’s a medler (1900)

Byam Shaw (English, 1872 - 1919)
Illustration
A winter’s tale; Heading

A winter’s tale; Heading (1900)

Byam Shaw (English, 1872 - 1919)
Illustration
A winter’s tale; Headings

A winter’s tale; Headings (1900)

Byam Shaw (English, 1872 - 1919)
Illustration
A winter’s tale; Hermione is chaste, Polixenes blameless

A winter’s tale; Hermione is chaste, Polixenes blameless (1900)

Byam Shaw (English, 1872 - 1919)
Illustration
A winter’s tale; OUT Act II, Scene III

A winter’s tale; OUT Act II, Scene III (1900)

Byam Shaw (English, 1872 - 1919)
Illustration
A winter’s tale; Time as Chorus

A winter’s tale; Time as Chorus (1900)

Byam Shaw (English, 1872 - 1919)
Illustration
A winter’s tale; Too Hot Too Hot Act I, Scene II

A winter’s tale; Too Hot Too Hot Act I, Scene II (1900)

Byam Shaw (English, 1872 - 1919)
Illustration
All’s well that ends well; All is well ended Act V Sc III

All’s well that ends well; All is well ended Act V Sc III (1895-1905)

Byam Shaw (English, 1872 - 1919)
Illustration
All’s well that ends well; Headings

All’s well that ends well; Headings (1895-1905)

Byam Shaw (English, 1872 - 1919)
Illustration
All’s well that ends well; Here comes my clog Act II Sc V

All’s well that ends well; Here comes my clog Act II Sc V (1895-1905)

Byam Shaw (English, 1872 - 1919)
Illustration
All’s well that ends well; Here is my hand Act II Sc I

All’s well that ends well; Here is my hand Act II Sc I (1895-1905)

Byam Shaw (English, 1872 - 1919)
Illustration
All’s well that ends well; Hold your hands Act IV Sc III

All’s well that ends well; Hold your hands Act IV Sc III (1895-1905)

Byam Shaw (English, 1872 - 1919)
Illustration
All’s well that ends well; Little Helen Farewell Act I Sc I

All’s well that ends well; Little Helen Farewell Act I Sc I (1895-1905)

Byam Shaw (English, 1872 - 1919)
Illustration
All’s well that ends well; Where do the Palmer’s lodge Act III Sc V

All’s well that ends well; Where do the Palmer’s lodge Act III Sc V (1895-1905)

Byam Shaw (English, 1872 - 1919)
Illustration
Antony and Cleopatra; Headings

Antony and Cleopatra; Headings (1900)

Byam Shaw (English, 1872 - 1919)
Illustration
Antony and Cleopatra; I am Antony yet Act III Scene XIII

Antony and Cleopatra; I am Antony yet Act III Scene XIII (1900)

Byam Shaw (English, 1872 - 1919)
Illustration
Antony and Cleopatra; I am dying Egypt Act IV Scene IV

Antony and Cleopatra; I am dying Egypt Act IV Scene IV (1900)

Byam Shaw (English, 1872 - 1919)
Illustration
Antony and Cleopatra; Is not this buckled well Act IV Scene IV

Antony and Cleopatra; Is not this buckled well Act IV Scene IV (1900)

Byam Shaw (English, 1872 - 1919)
Illustration
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