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Yasuo Kuniyoshi - Woodstock

Woodstock (1936)

Yasuo Kuniyoshi (Japanese, 1889 – 1953)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
This work was commissioned by the United States federal government as part of the Works Progress Administration (WPA) program. It is not subject to copyright protection.
Yasuo Kuniyoshi

Yasuo Kuniyoshi was an eminent 20th-century Japanese-American painter, photographer and printmaker.

Kuniyoshi was born on September 1, 1889, in Okayama, Japan. He immigrated to the United States in 1906 at 17, choosing not to attend military school in Japan. Kuniyoshi originally intended to study English and return to Japan to work as a translator.

He spent some time in Seattle, before enrolling at the Los Angeles School of Art and Design. Kuniyoshi spent three years in Los Angeles, discovering his love for the arts. He then moved to New York City to pursue an art career. Kuniyoshi studied briefly at the National Academy and later at the Independent School of Art in New York City, and then studied under Kenneth Hayes Miller at the Art Students League of New York. He later taught at the Art Students League of New York in New York City and in Woodstock, New York. Nan Lurie was among his students, as was Irene Krugman and Faith Ringgold. Around 1930, the artist built a home and studio on Ohayo Mountain Road in Woodstock. He was an active member of the artistic community there for the rest of his life. One of his pupils from the League, Anne Helioff, would go on to work with him at Woodstock.

In 1935, Kuniyoshi was awarded the Guggenheim Fellowship. He was also an Honorary member of the National Institute of Arts and Letters and first president of Artists Equity Association, now known as New York Artists Equity Association.

In 1948, Kuniyoshi became the first living artist chosen to have a retrospective at the Whitney Museum of American Art.

Kuniyoshi also exhibited at the 1952 Venice Biennale.

In Collection: Works Progress Administration (WPA) Art (View all 421)

John Henry’s Mad

John Henry’s Mad (1935 - 1943)

Dan Rico (American, 1912-1985)
South

South (1934)

Philip Reisman (American, 1904-1992)
Self-Portrait

Self-Portrait (1934)

Malvin Gray Johnson (American, 1896 – 1934)
Seated woman with hat at Studio

Seated woman with hat at Studio (1935 - 1943)

Blanche Grambs (American, 1916–2010)
Girl Seated

Girl Seated (1939)

William Henry Johnson (American, 1901 – 1970)
Abstraction #202

Abstraction #202 (1940)

Myron Kozman (American, 1916 - 2002)
John Henry and the Witch Woman

John Henry and the Witch Woman (1935–40)

Fred Becker (American, 1913-2004)
Automobile Accident

Automobile Accident (ca. 1936)

Howard Taft Lorenz (American, 1906-1956)
Jenkins Band/Orphan Band (Harlem)

Jenkins Band/Orphan Band (Harlem) (1934)

Malvin Gray Johnson (American, 1896 – 1934)
The Patriots

The Patriots (1937)

Anonymous
Barn and Tree

Barn and Tree (1940)

Charles Henry Alston (American, 1907 – 1977)
Preacher

Preacher (1935 - 1943)

Nan Lurie (American, 1910–1985)
Home Town Winter

Home Town Winter (1935–43)

Carlos Anderson (American, 1904 - 1978)
Back Bay

Back Bay (1935-1941)

David Burke (American, 1935–1943)
Roof and Sky

Roof and Sky (1939)

Louis Lozowick (American, 1892-1973)
View all 421 Artworks

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