More Artworks by Francisco de Goya (View all 237 Artworks)

The Claws of a Cat and the Dress of a Devotee-Similar to Vice Is Often Clothed in Virtue’s Habit [General Folly] (Unas de Gato y Habito de Beato [Disparate General]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)

Figures inside a church (ca. 1812–20)

Francisco de Goya (Spanish, 1746 - 1828)

Señora Sabasa Garcia (c. 1806-1811)

Francisco de Goya (Spanish, 1746 - 1828)

Renounce the Friend Who Covers You with His Beak [Flying Folly] (Reniego al Amigo Que Cubre con las Alas y Muerde con el Pico [Disparate Volante]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)

Friar Pedro Wrests the Gun from El Maragato (c. 1806)

Francisco de Goya (Spanish, 1746 - 1828)

The Charge of the Mamelukes (1814)

Francisco de Goya (Spanish, 1746 - 1828)

Sebastián Martínez y Pérez (1747–1800) (1792)

Francisco de Goya (Spanish, 1746 - 1828)

He Can No Longer at the Age of Ninety-Eight (1819–1823)

Francisco de Goya (Spanish, 1746 - 1828)

An old man delousing a boy in an interior, accompanied by three figures (ca. 1812–20)

Francisco de Goya (Spanish, 1746 - 1828)

La filiacion. (The filiation.) (1796-1797)

Francisco de Goya (Spanish, 1746 - 1828)

Aguarda que te unten. (Wait till you’ve been anointed.) (1796-1797)

Francisco de Goya (Spanish, 1746 - 1828)

Porque esconderlos (Why hide them) (1796-1797)

Francisco de Goya (Spanish, 1746 - 1828)

A caza de dientes. (Out hunting for teeth.) (1796-1797)

Francisco de Goya (Spanish, 1746 - 1828)

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun (c. 1806)

Francisco de Goya (Spanish, 1746 - 1828)

Ni asi la distingue. (Even thus he cannot make her out.) (1796-1797)

Francisco de Goya (Spanish, 1746 - 1828)