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Will Bradley - Victor Bicycles Overman Wheel Co

Victor Bicycles Overman Wheel Co (1896)

Will Bradley (American, 1868 – 1962)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
It was published or registered with the United States Copyright Office before January 1st, 1928
Will Bradley

William Henry Bradley was an American Art Nouveau illustrator and artist. Nicknamed the "Dean of American Designers" by The Saturday Evening Post, he was the highest paid American artist of the early 20th century.

Bradley was born July 10, 1868, in Boston, Massachusetts to Aaron Bradley and Sarah Rowland. At the age of 12 he obtained a job as an apprentice for a weekly newspaper — the Iron Agitator, later known as the Iron Ore — in Ishpeming, Michigan. He had moved there with his mother to be with family after the death of his father. He left at 17 for Chicago, Illinois, where he held a few brief jobs as a wood engraver and typographer before dedicating himself to freelance graphic design. He moved back to Massachusetts and set up the Wayside Press, where he served as an illustrator, editor, typographer, designer, and press manager for a magazine he named Bradley, His Book. The periodical usually contained compilations of poetry, stories, and sketches, and his work received a warm reception. He had achieved financial success, but the stress of managing so many projects at once began to damage his health, and he collapsed at the age of 28. He recovered quickly, but he was forced to sell the Wayside Press.

He later worked as a consultant for the American Type Founders and as an editor for Collier's Weekly. He worked briefly with children's books, then for William Randolph Hearst's film division as a supervising art director and assistant director on the Wharton Brothers' serial films Beatrice Fairfax (1916) and Patria (1917).

Bradley founded his own production company, Dramafilms, and went on to write, produce and direct his own films, including Bitter Fruit (1920), Moongold (1920) and The Tame Cat (1921). In 1954, The Typophiles published a memoir of Bradley's life called Will Bradley: His Chap Book, a limited edition of 650 copies. The same year, he won the AIGA medal, the highest honor for graphic designers. He was a prolific artist and designer up until his death at age 94.

Bradley's artistic style is considered a branch of Art Nouveau (where he was considered the foremost illustrator and poster designer of this movement) though it draws heavily from the aesthetics of the Arts and Crafts Movement and Japanese block printing. His work was often compared to that of his English contemporary, Aubrey Beardsley, so much so that some critics dismissed him as simply “The American Beardsley.” Bradley was already an established artist by the time Beardsley's designs became popular in England in 1894. Bradley's primary medium was posters, at the time a developing art form. Poster art was pioneered at the turn of the century by French artists like Jules Chéret and Toulouse-Lautrec, but Bradley is credited with popularizing the two-dimensional poster style in the United States.

In Collection: Bicycle Adverts (View all 124)

Souviens-Toi Que La Meilleure Bicyclette…

Souviens-Toi Que La Meilleure Bicyclette… (c.1920)

Grim (French, 19th Century)
Une seule maison de cycles à Lyon. Cycles Pithioud, 150 avenue de Saxe

Une seule maison de cycles à Lyon. Cycles Pithioud, 150 avenue de Saxe (1946)

Imp. Réunies de Lyon (French, 19th/20th century)
Eenhoornstraat Rotterdam. ‘Tweespaak’. ‘Velocipedes’. Bingham & Co.

Eenhoornstraat Rotterdam. ‘Tweespaak’. ‘Velocipedes’. Bingham & Co. (1893)

Henry Blacklock & Co
Cycles du Char nautique, fabrication française. 91, rue sedaine au coin du Bd Voltaire

Cycles du Char nautique, fabrication française. 91, rue sedaine au coin du Bd Voltaire (1900)

lith. Henry Sicard & Farradesche
Vous serez le meilleur Globe Trotter avec la bicyclette Omnium

Vous serez le meilleur Globe Trotter avec la bicyclette Omnium (1924)

Mich (Michel Liebeaux) (French, 1881-1923)
Elocipedes Dombret & Jussy St. Etienne Loire

Elocipedes Dombret & Jussy St. Etienne Loire (1880-1900)

Imp. A. Waton (French, 19th/20th century)
Stearns Cycles

Stearns Cycles (c.1900)

Henri Thiriet (French, 1873-1946)
Déesse 16, rue Halévy, Paris

Déesse 16, rue Halévy, Paris (1898)

Pal (Jean de Paleologue) (Romanian, 1855 - 1942)
12 medaglie d’oro. Prinetti Stucchi & C. Milano. Unica grande fabbrica italiana di velocipedi

12 medaglie d’oro. Prinetti Stucchi & C. Milano. Unica grande fabbrica italiana di velocipedi (1901)

Anonymous
Sur la route du bonheur! La Cyclette

Sur la route du bonheur! La Cyclette (1909)

Mich (Michel Liebeaux) (French, 1881-1923)
Zut Il a une The Love. The Love Cycles

Zut Il a une The Love. The Love Cycles (1926)

Affiches Coquelu
Raleigh

Raleigh (1895)

E Clouet (French, 19th Century)
Omega. Bordeaux-Paris, 1er Rivièrre en 20h.39m. Lauvergniat constructeur

Omega. Bordeaux-Paris, 1er Rivièrre en 20h.39m. Lauvergniat constructeur (1898)

Imp. Paul Dupont (French, 19th/20th century)
Rouxel And Dubois Paris

Rouxel And Dubois Paris (1894)

Ferdinand Lunel (French, 1857 - 1933)
Cycles’brillant„ Exposition Universelle De 1900’

Cycles’brillant„ Exposition Universelle De 1900’ (1900)

Henri Boulanger Gray (French, 1858-1924)
View all 124 Artworks

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