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Joseph Kenny Meadows - Timon; May you a better feast never behold… Timon of Athens, act 3, sc. 4

Timon; May you a better feast never behold… Timon of Athens, act 3, sc. 4

Joseph Kenny Meadows (English, 1790–1874)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1874 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Joseph Kenny Meadows

Joseph Kenny Meadows, better known as Kenny Meadows, was a British caricaturist and illustrator. He is best known for the drawings that he contributed to Punch and for his illustrations of scenes from Shakespeare's plays. Much of his work was drawn in a humorous bohemian style. He was well known for the quality of his illustrations, although the critical reception of his work was often mixed.

Meadows' first major project was Heads of the People in 1840. His acquaintance with Douglas Jerrold allowed him to become the illustrator of the project. Other contributors to the book included William Makepeace Thackeray and Leigh Hunt. He also contributed to The Illuminated Magazine, which was edited by Jerrold as well. In addition, he drew several illustrations for the Christmas editions of Illustrated London News.

Meadows became a prominent artist due to his work for Punch. He contributed fourteen total drawings to the paper. They were published in 1843 and 1844, appearing in the first through the seventh volumes. He worked very closely with John Leech while they were employed there. At the time that he first began working for Punch he was one of its oldest contributors.

William Powell Frith once described him as "perhaps the best" of Punch's early illustrators. Other critics have stated that the quality the work that he produced varied. His drawings were hailed by some commentators more thoughtful than the typical burlesque treatments the subjects of his drawings often received. Others have faulted his work for a lack of humour and inventiveness. He was often noted, however, for the youthful enthusiasm he had toward drawing.

His drawings often included the depiction of a butterfly at the mouth of a cannon, which symbolisied peace. A similar design was used by Sir Edwin Henry Landseer in a painting, and some have attributed this similarity to Meadows' influence on Landseer.

Meadows often read Shakespeare and memorised many passages. He published a volume of illustrated scenes from Shakespeare in 1843. Though he and several of his friends considered this work to be his masterpiece, some reviewers criticised his interpretations of several characters. It was particularly well received in Germany, however. He continued working on depictions of scenes from Shakespeare for his entire life.

Meadows was the son of a Naval officer and was born in Cardigan. Although his first name was Joseph, he listed his name as Kenny Meadows in professional use. He lived in Camden Town for much of his life. He was married to the sister of Archibald Henning, a fellow artist who contributed to Punch. Meadow's wife was very frugal, and he allowed her to run the household's finances. Their niece Margaret married James Hannay, who wrote for Punch in the 1850s.

Meadows, who was known to be very outgoing and a night owl, spent much of his time visiting with friends and drinking gin. He was a friend of many prominent writers, including Charles Dickens, Henry Vizetelly and William Godwin.

In Collection: Illustrations to Shakespeare (View all 1404)

Shakespeare invoking his characters in the plays

Shakespeare invoking his characters in the plays (1860)

George Strafford
Othello, act 5, scene 2, ‘Yet she must die, or else she’ll betray more men. Put out the light, and then put out the light’

Othello, act 5, scene 2, ‘Yet she must die, or else she’ll betray more men. Put out the light, and then put out the light’

Ludovico Marchetti (Italian, 1853 - 1909)
Juliet and her nurse

Juliet and her nurse (1917-1918)

Louis Rhead (American, 1857-1926)
Much ado about nothing, III, 1

Much ado about nothing, III, 1 (1904)

John E. Sutcliffe (English, 1876-1923)
Falstaff at Herne’s Oak, from ‘The Merry Wives of Windsor,’ Act V, Scene v

Falstaff at Herne’s Oak, from ‘The Merry Wives of Windsor,’ Act V, Scene v (1832)

James Stephanoff (English, 1784-1874)
Macbeth, V, Lyceum Theatre, January 15, 1889, Sir Henry Irving as Macbeth

Macbeth, V, Lyceum Theatre, January 15, 1889, Sir Henry Irving as Macbeth (1889)

John Jellicoe (English, 1842 – 1914)
Cymbeline at the Lyceum Theatre

Cymbeline at the Lyceum Theatre (1896)

Ralph Cleaver (English, 1870-1938)
Troilus & Cressida, act 4, sc. 2, Cressida; Prythee, tarry.—– You men will never tarry

Troilus & Cressida, act 4, sc. 2, Cressida; Prythee, tarry.—– You men will never tarry

Joseph Kenny Meadows (English, 1790–1874)
A Midsummer night’s dream; The rude sea grew civil at her song

A Midsummer night’s dream; The rude sea grew civil at her song (1901)

Fanny Railton (English, 19th Century)
King Richard, IV, 3, murder of the princes in the tower

King Richard, IV, 3, murder of the princes in the tower (1831)

Johann Heinrich Ramberg (German, 1763 - 1840)
Portrait of Shakespeare, surrounded by characters from his plays

Portrait of Shakespeare, surrounded by characters from his plays (1822)

William Heath (English, 1794-1840)
Haunts of Shakespeare Pl.01

Haunts of Shakespeare Pl.01 (19th century)

Paul Braddon (English, 1864–1937)
Merchant of Venice [III, 1] Shylock and Tubal

Merchant of Venice [III, 1] Shylock and Tubal (1800-1830)

J. Coghlan (English, 19th Century)
welfth night, Olivia wooed Viola

welfth night, Olivia wooed Viola (1917-1918)

Louis Rhead (American, 1857-1926)
Illustrations to Merry wives of Windsor Pl.11

Illustrations to Merry wives of Windsor Pl.11 (1910)

Hugh Thomson (American, 1860-1920)
View all 1404 Artworks

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