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Kobayashi Kiyochika - The Occupation of Liaoyang

The Occupation of Liaoyang (1904)

Kobayashi Kiyochika (Japanese, 1847-1915)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1915 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Kobayashi Kiyochika

Kobayashi Kiyochika was a Japanese ukiyo-e artist, best known for his ukiyo-e colour woodblock prints and newspaper illustrations. His work documents the rapid modernization and Westernization Japanese underwent during the Meiji period (1868–1912) and employs a sense of light and shade called kōsen-ga [ja] inspired by Western art techniques.

His work first found an audience in the 1870s with prints of red-brick buildings and trains that had proliferated after the Meiji Restoration; his prints of the First Sino-Japanese War of 1894–95 were also popular. Woodblock printing fell out of favour during this period, and many collectors consider Kobayashi's work the last significant example of ukiyo-e.

More Artworks by Kobayashi Kiyochika (View all 120 Artworks)

Tiger Flag in a Grove, from the Series ‘Magic Lantern of Society; One Hundred Selections, One Hundred Laughs’

Tiger Flag in a Grove, from the Series ‘Magic Lantern of Society; One Hundred Selections, One Hundred Laughs’ (1895)

Kobayashi Kiyochika (Japanese, 1847-1915)
Grand Sumo Tournament of the Two Nations, from the Series ‘Long Live Japan! One Hundred Selections, One Hundred Laughs’

Grand Sumo Tournament of the Two Nations, from the Series ‘Long Live Japan! One Hundred Selections, One Hundred Laughs’ (1904)

Kobayashi Kiyochika (Japanese, 1847-1915)
The Koromo River Below the Temple Tennōji

The Koromo River Below the Temple Tennōji (1880)

Kobayashi Kiyochika (Japanese, 1847-1915)
Native Bandits Being Swept up in the Vicinity of Xinzhu in Taiwan

Native Bandits Being Swept up in the Vicinity of Xinzhu in Taiwan (1895)

Kobayashi Kiyochika (Japanese, 1847-1915)
Futamigaura, the Wedded Rocks

Futamigaura, the Wedded Rocks (1896)

Kobayashi Kiyochika (Japanese, 1847-1915)
The Wife’s Welcome, from the Series ‘Long Live Japan! One Hundred Selections, One Hundred Laughs’

The Wife’s Welcome, from the Series ‘Long Live Japan! One Hundred Selections, One Hundred Laughs’ (1895)

Kobayashi Kiyochika (Japanese, 1847-1915)
The Hakone Shrine In The Snow

The Hakone Shrine In The Snow (1880 - 1882)

Kobayashi Kiyochika (Japanese, 1847-1915)
Lady Sei Shōnagon

Lady Sei Shōnagon (1897)

Kobayashi Kiyochika (Japanese, 1847-1915)
Bombarding the Enemy Camp as Our Second Army Lands at Jinzhou Fortress

Bombarding the Enemy Camp as Our Second Army Lands at Jinzhou Fortress (1894)

Kobayashi Kiyochika (Japanese, 1847-1915)
Koromo River below the Temple Tennōji

Koromo River below the Temple Tennōji (1880)

Kobayashi Kiyochika (Japanese, 1847-1915)
Sumida River

Sumida River (1897)

Kobayashi Kiyochika (Japanese, 1847-1915)
The Fall of Chinchow Fort

The Fall of Chinchow Fort (1894)

Kobayashi Kiyochika (Japanese, 1847-1915)
Our Fleet of Warships Bombarding Dalian Bay

Our Fleet of Warships Bombarding Dalian Bay (1894)

Kobayashi Kiyochika (Japanese, 1847-1915)
The Use of Electricity during the Attack on Pyeongyang

The Use of Electricity during the Attack on Pyeongyang (1894)

Kobayashi Kiyochika (Japanese, 1847-1915)
Arashiyama, Kyoto

Arashiyama, Kyoto (1897)

Kobayashi Kiyochika (Japanese, 1847-1915)
View all 120 Artworks

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License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
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