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Sir Edward Coley Burne-Jones - Study for The Wedding Feast of Sir Degrevaunt

Study for The Wedding Feast of Sir Degrevaunt

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1898 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Sir Edward Coley Burne-Jones

Sir Edward Coley Burne-Jones was a British artist and designer associated with the phase of the Pre-Raphaelite movement, who worked with William Morris on decorative arts as a founding partner in Morris, Marshall, Faulkner & Co.

Burne-Jones was involved in the rejuvenation of the tradition of stained glass art in Britain; his works include windows in St. Philip's Cathedral, Birmingham, St Martin in the Bull Ring, Birmingham, Holy Trinity Church, Sloane Square, Chelsea, St Peter and St Paul parish church in Cromer, St Martin's Church in Brampton, Cumbria (the church designed by Philip Webb), St Michael's Church, Brighton, Trinity Church in Frome, All Saints, Jesus Lane, Cambridge, St Edmund Hall and Christ Church, two colleges of the University of Oxford. His stained glass works also feature in St. Anne's Church, Brown Edge, Staffordshire Moorlands and St. Edward the Confessor church at Cheddleton Staffordshire. Burne-Jones's early paintings show the inspiration of Dante Gabriel Rossetti, but by the 1860s Burne-Jones was discovering his own artistic "voice".

In 1877, he was persuaded to show eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included The Beguiling of Merlin. The timing was right and he was taken up as a herald and star of the new Aesthetic Movement. Burne-Jones worked in crafts; including designing ceramic tiles, jewellery, tapestries and mosaics.

More Artworks by Sir Edward Coley Burne-Jones (View all 302 Artworks)

The Fates – Study of the Male Lover

The Fates – Study of the Male Lover

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Garland Weavers – Drapery Study

The Garland Weavers – Drapery Study

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Seated Woman

Seated Woman (1864)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The fight; St George kills the dragon VI

The fight; St George kills the dragon VI (1866)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Garden Court

The Garden Court (1870-75)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Bath of Venus

Bath of Venus (1890s)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
A Seated Couple, Embracing

A Seated Couple, Embracing (ca. 1865)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
St George Series – Male Nude – Study for ‘St George slaying the Dragon’

St George Series – Male Nude – Study for ‘St George slaying the Dragon’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Classical Figure

Classical Figure

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Call Of Perseus

The Call Of Perseus

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Key of Spring

Key of Spring

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
The Building of the Temple

The Building of the Temple

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Studies for a Hand in The Godhead Fires

Studies for a Hand in The Godhead Fires

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Helen’s Tears

Helen’s Tears

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Study of female nude for the Hill Fairies in ‘Arthur in Avalon’

Study of female nude for the Hill Fairies in ‘Arthur in Avalon’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
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License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
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