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Utagawa Kunisada (Toyokuni III) - Shinagawa

Shinagawa (1854)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
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License: All files can be freely used for personal and commercial projects with no attribution required
Why is this image in the public domain?
The Artist died in 1865 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Utagawa Kunisada (Toyokuni III)
About the Artist

Utagawa Kunisada, also known as Utagawa Toyokuni III (三代 歌川 豊国 Sandai Utagawa Toyokuni), was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi.

At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to their works as "decadent".

Beginning in the 1930s and 1970s, respectively, the works of Hiroshige and Kuniyoshi were submitted to a re-evaluation, and these two are now counted among the masters of their art. Thus, from Kunisada alone was withheld, for a long time, the acknowledgment which is due to him. With a few exceptions, such as actor portraits (yakusha-e) and portraits of beautiful women (bijin-ga), at the beginning of his career, and some series of large-size actor head-portraits near the end, it was thought that he had produced only inferior works. It was not until the early 1990s, with the appearance of Jan van Doesburg's overview of the artistic development of Kunisada, and Sebastian Izzard's extensive study of his work, that this picture began to change, with Kunisada more clearly revealed as one of the "giants" of the Japanese print that he was.

More Artwork by Utagawa Kunisada (Toyokuni III) (View all 180 Artworks)

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Spring Flowers at their Height (circa 1850)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Asian Art
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Rainy Scene on a Bridge (Ame no To no Sue) (ca. 1849–1853)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Asian Art
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Osaka Actor Nakamura Shikan in the Role of the Daimyō Fujiwara no Tokihira Kyō (1833)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Asian Art
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The Actor Iwai Hanshiro in the Role of Oito (ca. 1830)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Asian Art
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Chi Brigade, Tenth Group, Theater District in Saruwaka; Actor Ichikawa Ebizô V as the Old Woman of the Lonely House (1863)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Asian Art
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The Actor Ichikawa Danjuro in a Plaid Costume (ca. 1850)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Asian Art
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Bandô Mitsugorô in the Role of Sweets Vendor Deity (19th century)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Asian Art
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The Actor Kataoka Nizaemon in the role of Ōboshi Yuranosuke (leader of the 47 rōnin) (1862)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Asian Art
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‘Ma’ Brigade, Fifth Squad; Earthen Bridge by Kuitachi in Asakusa; Kataoka Nizaemon VIII as Tamigaya Iemon (1863)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Asian Art
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The Uota Restaurant; (Actor Ichikawa Ebizō V as) Tarōzaemon (1853)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Asian Art
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The Number 3 (San) for the Play Sanryaku no maki; Actor as Kiichi Hōgan (1856)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Asian Art
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Poem by Kamakura Udaijin (circa 1847-1852)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Asian Art
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Farm near Duivendrecht (c. 1916)

Piet Mondrian (Dutch, 1872 - 1944)
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Standard, JPG, Size:

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License: All files can be freely used for personal and commercial projects with no attribution required.
Why is this image in the public domain?
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