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Maxfield Parrish - Seated Nude, preliminary Edison Mazda Lamps calendar

Seated Nude, preliminary Edison Mazda Lamps calendar (1921)

Maxfield Parrish (American, 1870 - 1966)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
It was published or registered with the United States Copyright Office before January 1st, 1928
Maxfield Parrish

Maxfield Parrish was an American painter and illustrator active in the first half of the 20th century. He is known for his distinctive saturated hues and idealized neo-classical imagery. His career spanned fifty years and was wildly successful: his painting Daybreak (1922) is the most popular art print of the 20th century.

Maxfield Parrish was born in Philadelphia, Pennsylvania, to painter and etcher Stephen Parrish and Elizabeth Bancroft. His given name was Frederick Parrish, but he later adopted Maxfield, his paternal grandmother's maiden name, as his middle, then finally as his professional name.
Parrish entered into an artistic career that lasted for more than half a century, and which helped shape the Golden Age of illustration and American visual arts. During his career, he produced almost 900 pieces of art including calendars, greeting cards, and magazine covers. Parrish's early works were mostly in black and white.

In 1885, his work was on the Easter edition of Harper’s Bazaar. He also did work for other magazines like Scribner's Magazine. He also illustrated a children's book in 1897, Mother Goose in Prose written by L. Frank Baum. By 1900, Parrish was already a member of the Society of American Artists.

More Artworks by Maxfield Parrish (View all 64 Artworks)

Sleeping Beauty in the Wood

Sleeping Beauty in the Wood (1912)

Maxfield Parrish (American, 1870 - 1966)
Dies Irae.

Dies Irae. (1906)

Maxfield Parrish (American, 1870 - 1966)
The Outlaw

The Outlaw (1905)

Maxfield Parrish (American, 1870 - 1966)
Harper’s Weekly for Christmas

Harper’s Weekly for Christmas (1895)

Maxfield Parrish (American, 1870 - 1966)
The Oaks

The Oaks (1904)

Maxfield Parrish (American, 1870 - 1966)
Daybreak, preliminary drawing

Daybreak, preliminary drawing (1922)

Maxfield Parrish (American, 1870 - 1966)
Seein’ Things

Seein’ Things (1904)

Maxfield Parrish (American, 1870 - 1966)
Supine Woman Raising Her Head to Watch Geese, preliminary drawing

Supine Woman Raising Her Head to Watch Geese, preliminary drawing (1924)

Maxfield Parrish (American, 1870 - 1966)
Exhibition of the American Water Color Society

Exhibition of the American Water Color Society (ca. 1890–1920)

Maxfield Parrish (American, 1870 - 1966)
Reveries

Reveries (1913)

Maxfield Parrish (American, 1870 - 1966)
The valley of diamonds.

The valley of diamonds. (1907)

Maxfield Parrish (American, 1870 - 1966)
Dreaming, preliminary study for painting

Dreaming, preliminary study for painting (1925)

Maxfield Parrish (American, 1870 - 1966)
Harper’s weekly, Christmas

Harper’s weekly, Christmas (1897)

Maxfield Parrish (American, 1870 - 1966)
Hilltop

Hilltop (1926)

Maxfield Parrish (American, 1870 - 1966)
The ladies home journal, July 1896

The ladies home journal, July 1896 (1896)

Maxfield Parrish (American, 1870 - 1966)
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