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Percy Anderson - Romeo and Juliet; The princess guards

Romeo and Juliet; The princess guards

Percy Anderson (English, 1851-1928)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1928 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Percy Anderson was an English stage designer and painter, best known for his work for the D'Oyly Carte Opera Company, Sir Herbert Beerbohm Tree's company at His Majesty’s Theatre and Edwardian musical comedies.

Anderson's first significant production was the comic opera Lady of the Locket, composed by William Fullerton Jr. with a libretto by Henry Hamilton. Beginning with The Yeomen of the Guard (1888), Anderson designed the costumes for all the original productions of the Savoy Operas. He continued to design costumes for D'Oyly Carte revivals in the early twentieth century, including for Trial by Jury, H.M.S. Pinafore, The Pirates of Penzance, Patience, Iolanthe, Princess Ida, Ruddigore, The Yeomen of the Guard, and The Gondoliers. For Herbert Beerbohm Tree at His Majesty's Theatre, Anderson designed Twelfth Night, The Merry Wives of Windsor, Richard II, King John, A Midsummer Night’s Dream, The Tempest, and two plays by Stephen Phillips, Herod and Ulysses. He designed the costumes for Henry James’s ill-fated theatrical effort, Guy Domville; The Times was not impressed by either the play or the costumes.

Among Anderson's other successes were Trelawny of the 'Wells' (1898), Merrie England (1902), Véronique (1904), the hit British premiere of The Merry Widow in 1907, Fallen Fairies (1909), Kismet (1911) and Chu Chin Chow (1916). He designed the costumes for various productions of Edwardian musical comedies for George Edwardes, such as the hit musical San Toy in 1899 and The Duchess of Dantzic in 1903. The Royal Opera House commissioned Anderson to design costumes in 1900. Anderson's designs were also used in a number of Broadway productions.

Anderson had private means, and for a time roomed with Morton Fullerton. He was part of a circle of rich, artistic homosexual men, who included Lord Ronald Gower, the courtier Alec Yorke and Hamilton Aïdé. In the 1910s, Anderson was closely associated with the young novelist Hugh Walpole

The Times, in its obituary notice, said of Anderson that he escaped from the pedantry of his predecessors and paved the way in a most interesting manner for Bakst, Claud Lovat Fraser and Gordon Craig. As a painter, Anderson achieved a modest success, and his portraits hang in the collections of the National Portrait Gallery, the Louvre, and the British Museum. He illustrated the 1907 book, Costume: Fanciful, Historical and Theatrical.

Anderson died in King's College Hospital, London, in 1928, aged 76 or 77.

In Collection: Illustrations to Shakespeare (View all 1404)

King John, act 4, scene 3, Arthur, Pembroke, Salisbury & c

King John, act 4, scene 3, Arthur, Pembroke, Salisbury & c (19th century)

William Francis Starling (English, active 1833 - 1845)
[King Lear, III, 7, Regan; ‘Go thrust him out at gates, and let him smell his way to Dover’

[King Lear, III, 7, Regan; ‘Go thrust him out at gates, and let him smell his way to Dover’ (1829)

Johann Heinrich Ramberg (German, 1763 - 1840)
The tempest, I, 2

The tempest, I, 2 (1892)

Henry Justice Ford (English, 1860–1941)
Costumes for Merchant of Venice, Merry wives of Windsor, and Twelfth night Pl.03

Costumes for Merchant of Venice, Merry wives of Windsor, and Twelfth night Pl.03 (19th Century)

E.J.S. (English, 19th Century)
Midsummer night’s dream, act III, sc. 1, Titania and the fairies

Midsummer night’s dream, act III, sc. 1, Titania and the fairies

Phil Ebbutt (English, 1866-1926)
Sir John Falstaff and Mistress Quickly

Sir John Falstaff and Mistress Quickly (1870)

Alfred Dever (English, 1836–1899)
Charles Kean as Shylock in Shakespeare’s Merchant of Venice ‘And thrift is blessing …’ act 1, sc. 3

Charles Kean as Shylock in Shakespeare’s Merchant of Venice ‘And thrift is blessing …’ act 1, sc. 3 (1839)

Richard James Lane (English, 1800 – 1872)
Illustration from A Midsummer night’s dream

Illustration from A Midsummer night’s dream (1901)

Fanny Railton (English, 19th Century)
Macbeth and the witches, act IV, scene 1

Macbeth and the witches, act IV, scene 1 (1888)

John Jellicoe (English, 1842 – 1914)
Twelfth night

Twelfth night (19th century)

William Francis Starling (English, active 1833 - 1845)
Merchant of Venice, III, 1, as acted at the Garrick Theatre, Arthur Bourchier (Shylock)

Merchant of Venice, III, 1, as acted at the Garrick Theatre, Arthur Bourchier (Shylock) (1905)

Charles Buchel (English, 1872–1950)
Les remords de Macbeth [Macbeth, act IV, scene 1]

Les remords de Macbeth [Macbeth, act IV, scene 1]

T. Veron
Cymbeline; Apparitions of Sicilius Leonatus & his wife

Cymbeline; Apparitions of Sicilius Leonatus & his wife (1890s)

Walford Graham Robertson (English, 1866-1948)
As you like it, scenes of the seven ages of man Pl.4

As you like it, scenes of the seven ages of man Pl.4

John Augustus Atkinson (English, 1775-1830)
Olivia’s garden. Malvolio– Mr. Tree, Olivia– Miss Maud Jeffries [in Shakespeare’s Twelfth night, III, 4]

Olivia’s garden. Malvolio– Mr. Tree, Olivia– Miss Maud Jeffries [in Shakespeare’s Twelfth night, III, 4]

Frederick Henry Townsend (English, 1868 – 1920)
View all 1404 Artworks

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