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Edward Francis Burney - Putting Arms in Hands of the Indians

Putting Arms in Hands of the Indians

Edward Francis Burney (English, 1760-1848)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1848 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Edward Francis Burney

Edward Francis Burney was an English artist. His middle name is sometimes given as "Francisco" or "Francesco".

Burney was born in Worcester on 7 September 1760, the son of Richard Burney and Elizabeth Humphries. The musicologist Charles Burney was his uncle and the writer Frances (or "Fanny") Burney was his cousin. He studied at the Royal Academy Schools from 1776, where he received encouragement from Sir Joshua Reynolds.

He exhibited at the Royal Academy from 1780 until 1803. His work included historical subjects and portraits of friends and family. A portrait of his cousin Frances was engraved as a frontispiece to her works, and in 1780 he exhibited three drawings illustrating her novel Evelina, which were engraved for a 1791 edition of the work. Much of his work was done for book illustrations, including a series for an edition of Milton's Paradise Lost.

In the 1820s Burney painted four large watercolours satirising contemporary musical and social life: The Waltz, The Elegant Establishment for Young Ladies (both Victoria and Albert Museum), Amateurs of Tye-Wig Music and The Glee Club; or, The Triumph of Music (both Yale Center for British Art), possibly with the intention of publishing prints after them. They were never engraved, but he did work up Amateurs of Tye-Wig Music into an oil painting, now in the collection of the Tate Gallery. The picture draws on the debate over the relative virtues of modern music (exemplified by Beethoven and Mozart) as against that of earlier composers, such as Handel, whose bust overlooks the ramshackle band of musicians in the painting, and Corelli, one of whose pieces they are playing. Burney's uncle Charles took a leading part in the argument, on the side of the modernists.

Burney died in London on 16 December 1848, at the age of 88. He never married.

More Artworks by Edward Francis Burney (View all 120 Artworks)

Allegory of Sea Trades

Allegory of Sea Trades

Edward Francis Burney (English, 1760-1848)
Bathampton Mill.

Bathampton Mill.

Edward Francis Burney (English, 1760-1848)
Preparatory drawing for The Waltz

Preparatory drawing for The Waltz

Edward Francis Burney (English, 1760-1848)
Norbury Park

Norbury Park

Edward Francis Burney (English, 1760-1848)
Country House.

Country House.

Edward Francis Burney (English, 1760-1848)
Profile Study of Female Head

Profile Study of Female Head

Edward Francis Burney (English, 1760-1848)
Ilustration for The New Doll; Untitled

Ilustration for The New Doll; Untitled (1825)

Edward Francis Burney (English, 1760-1848)
Venus and Cupid

Venus and Cupid

Edward Francis Burney (English, 1760-1848)
Study for the Kneeling Figure of Priscilla

Study for the Kneeling Figure of Priscilla

Edward Francis Burney (English, 1760-1848)
Unknown Man

Unknown Man

Edward Francis Burney (English, 1760-1848)
Study for the Figure of St. Paul

Study for the Figure of St. Paul

Edward Francis Burney (English, 1760-1848)
View of Easton Neston, Northants

View of Easton Neston, Northants

Edward Francis Burney (English, 1760-1848)
Apollo and Phaeton

Apollo and Phaeton

Edward Francis Burney (English, 1760-1848)
Wm., Lock Esq…

Wm., Lock Esq…

Edward Francis Burney (English, 1760-1848)
Musicians

Musicians

Edward Francis Burney (English, 1760-1848)
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