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James Ward - Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis

Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis (1814)

James Ward (English, 1769-1859)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1859 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
James Ward

James Ward was a British painter, particularly of animals, and an engraver.

Born in London, and younger brother of William Ward the engraver, James Ward was influenced by many people, but his career is conventionally divided into two periods: until 1803, his single greatest influence was his brother in law George Morland; from that time, it was Rubens. From 1810 or so, Ward started to paint horses within landscapes; slightly later, he turned to very large-scale landscapes, of which Gordale Scar (Tate, London), completed in 1814 or 1815 and depicting Gordale Scar (Yorkshire) as an example of the sublime, is considered his masterpiece and a masterpiece of English Romantic painting.

Ward devoted much of the period 1815-21 to the painting of a gigantic work titled Allegory of Waterloo (now lost); this neither was much praised nor brought in the revenue Ward had hoped for. The experience may have embittered him, and the deaths of his first wife and a daughter were among other tragedies. Like many artists of the time, Ward sought commissions from wealthy gentry of their favorite horses, their favorite hunting dogs or their children.

One such family that Ward painted and drew repeatedly, and whom he counted among his friends, were the Levett family of Wynchnor Park, Staffordshire. One of Ward's best-known portraits was his Theophilus Levett hunting at Wychnor, Staffordshire of 1817. Another was Ward's 1811 painting entitled The Reverend Thomas Levett and his favourite dogs, cock-shooting. Ward also painted a group portrait of three Levett children — John, Theophilus and Frances Levett.

More Artworks by James Ward (View all 201 Artworks)

Study of a Calf

Study of a Calf

James Ward (English, 1769-1859)
Landscape with a Castle on a Hill

Landscape with a Castle on a Hill

James Ward (English, 1769-1859)
A Shepherd Boy

A Shepherd Boy

James Ward (English, 1769-1859)
Dr. Syntax, a Bay Racehorse, Standing in a Coastal Landscape, an Estuary Beyond

Dr. Syntax, a Bay Racehorse, Standing in a Coastal Landscape, an Estuary Beyond (1820)

James Ward (English, 1769-1859)
A Young Boy with Dogs

A Young Boy with Dogs (ca. 1798)

James Ward (English, 1769-1859)
Studies of Pigs

Studies of Pigs

James Ward (English, 1769-1859)
Landing Place near Tintern Abbey

Landing Place near Tintern Abbey (probably c. 1802)

James Ward (English, 1769-1859)
Ferrets

Ferrets

James Ward (English, 1769-1859)
Rough-Coated Collie

Rough-Coated Collie (1809)

James Ward (English, 1769-1859)
Study of a Kid

Study of a Kid (1796)

James Ward (English, 1769-1859)
A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)

A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)

James Ward (English, 1769-1859)
A Tree Trunk on the Ground

A Tree Trunk on the Ground

James Ward (English, 1769-1859)
Tree Study

Tree Study

James Ward (English, 1769-1859)
The Cossack, Gregory Yelloserf

The Cossack, Gregory Yelloserf (1814)

James Ward (English, 1769-1859)
Sea Breaking on Stony Cliffs at Left

Sea Breaking on Stony Cliffs at Left

James Ward (English, 1769-1859)
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