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James Ward - A Hunter in a Landscape

A Hunter in a Landscape (1810)

James Ward (English, 1769-1859)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1859 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
James Ward

James Ward was a British painter, particularly of animals, and an engraver.

Born in London, and younger brother of William Ward the engraver, James Ward was influenced by many people, but his career is conventionally divided into two periods: until 1803, his single greatest influence was his brother in law George Morland; from that time, it was Rubens. From 1810 or so, Ward started to paint horses within landscapes; slightly later, he turned to very large-scale landscapes, of which Gordale Scar (Tate, London), completed in 1814 or 1815 and depicting Gordale Scar (Yorkshire) as an example of the sublime, is considered his masterpiece and a masterpiece of English Romantic painting.

Ward devoted much of the period 1815-21 to the painting of a gigantic work titled Allegory of Waterloo (now lost); this neither was much praised nor brought in the revenue Ward had hoped for. The experience may have embittered him, and the deaths of his first wife and a daughter were among other tragedies. Like many artists of the time, Ward sought commissions from wealthy gentry of their favorite horses, their favorite hunting dogs or their children.

One such family that Ward painted and drew repeatedly, and whom he counted among his friends, were the Levett family of Wynchnor Park, Staffordshire. One of Ward's best-known portraits was his Theophilus Levett hunting at Wychnor, Staffordshire of 1817. Another was Ward's 1811 painting entitled The Reverend Thomas Levett and his favourite dogs, cock-shooting. Ward also painted a group portrait of three Levett children — John, Theophilus and Frances Levett.

More Artworks by James Ward (View all 200 Artworks)

A Mare; Possibly a Study for ‘L’Amour de Cheval’

A Mare; Possibly a Study for ‘L’Amour de Cheval’ (1827)

James Ward (English, 1769-1859)
Lions Attacking Two Men and a Horse

Lions Attacking Two Men and a Horse (1801–59)

James Ward (English, 1769-1859)
Sheep-shearing

Sheep-shearing

James Ward (English, 1769-1859)
Sleeping Pig

Sleeping Pig

James Ward (English, 1769-1859)
Boots, Etc. Cromwell’s Time, Haddon Hall

Boots, Etc. Cromwell’s Time, Haddon Hall (1825)

James Ward (English, 1769-1859)
A Hog, Sleeping

A Hog, Sleeping (ca. 1807)

James Ward (English, 1769-1859)
Man Struggling with a Boa Constrictor, Study for ‘The Liboya Serpent Seizing His Prey’

Man Struggling with a Boa Constrictor, Study for ‘The Liboya Serpent Seizing His Prey’ (ca. 1803)

James Ward (English, 1769-1859)
A King Charles Spaniel on a red cushion

A King Charles Spaniel on a red cushion (1809)

James Ward (English, 1769-1859)
Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony

Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony

James Ward (English, 1769-1859)
Mr. Howard’s Large Oak, August 5, 1820

Mr. Howard’s Large Oak, August 5, 1820 (1820)

James Ward (English, 1769-1859)
Sheet of Sketches; Wagon, Horse, Milkmaid and Other Figure Studies

Sheet of Sketches; Wagon, Horse, Milkmaid and Other Figure Studies

James Ward (English, 1769-1859)
Powis Castle

Powis Castle

James Ward (English, 1769-1859)
Study of a Tree

Study of a Tree

James Ward (English, 1769-1859)
Study of a Hill Top and Sky

Study of a Hill Top and Sky

James Ward (English, 1769-1859)
A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat

A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat

James Ward (English, 1769-1859)
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