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Maxfield Parrish - No. 40. Wanamaker’s goods & prices, spring and summer 1896

No. 40. Wanamaker’s goods & prices, spring and summer 1896 (1896)

Maxfield Parrish (American, 1870 - 1966)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
It was published or registered with the United States Copyright Office before January 1st, 1928
Maxfield Parrish

Maxfield Parrish was an American painter and illustrator active in the first half of the 20th century. He is known for his distinctive saturated hues and idealized neo-classical imagery. His career spanned fifty years and was wildly successful: his painting Daybreak (1922) is the most popular art print of the 20th century.

Maxfield Parrish was born in Philadelphia, Pennsylvania, to painter and etcher Stephen Parrish and Elizabeth Bancroft. His given name was Frederick Parrish, but he later adopted Maxfield, his paternal grandmother's maiden name, as his middle, then finally as his professional name.
Parrish entered into an artistic career that lasted for more than half a century, and which helped shape the Golden Age of illustration and American visual arts. During his career, he produced almost 900 pieces of art including calendars, greeting cards, and magazine covers. Parrish's early works were mostly in black and white.

In 1885, his work was on the Easter edition of Harper’s Bazaar. He also did work for other magazines like Scribner's Magazine. He also illustrated a children's book in 1897, Mother Goose in Prose written by L. Frank Baum. By 1900, Parrish was already a member of the Society of American Artists.

More Artworks by Maxfield Parrish (View all 64 Artworks)

The Fly-Away Horse

The Fly-Away Horse (1904)

Maxfield Parrish (American, 1870 - 1966)
The century midsummer holiday number. August

The century midsummer holiday number. August (1897)

Maxfield Parrish (American, 1870 - 1966)
Supine Woman Raising Her Head to Watch Geese, preliminary drawing

Supine Woman Raising Her Head to Watch Geese, preliminary drawing (1924)

Maxfield Parrish (American, 1870 - 1966)
Harper’s weekly, Christmas

Harper’s weekly, Christmas (1896)

Maxfield Parrish (American, 1870 - 1966)
A Dark Futurist

A Dark Futurist (1923)

Maxfield Parrish (American, 1870 - 1966)
Ecstasy, Edison Mazda Lamps calendar preliminary cover

Ecstasy, Edison Mazda Lamps calendar preliminary cover

Maxfield Parrish (American, 1870 - 1966)
Harper’s round table, fourth of July

Harper’s round table, fourth of July (1895)

Maxfield Parrish (American, 1870 - 1966)
Circus Bed Quilt

Circus Bed Quilt (1904)

Maxfield Parrish (American, 1870 - 1966)
Exhibition of the American Water Color Society

Exhibition of the American Water Color Society (ca. 1890–1920)

Maxfield Parrish (American, 1870 - 1966)
Giant With Jack At His Feet (Poems Of Childhood)

Giant With Jack At His Feet (Poems Of Childhood) (1904)

Maxfield Parrish (American, 1870 - 1966)
Cleopatra

Cleopatra (1917)

Maxfield Parrish (American, 1870 - 1966)
The Sugar-Plum Tree

The Sugar-Plum Tree (1904)

Maxfield Parrish (American, 1870 - 1966)
Royal Baking Powder makes dainties for Christmas

Royal Baking Powder makes dainties for Christmas (1895)

Maxfield Parrish (American, 1870 - 1966)
Harper’s Weekly for Christmas

Harper’s Weekly for Christmas (1895)

Maxfield Parrish (American, 1870 - 1966)
The Oaks

The Oaks (1904)

Maxfield Parrish (American, 1870 - 1966)
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