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Anthony van Dyck - Mercury

Mercury

Anthony van Dyck (Flemish, 1599-1641)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1641 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Anthony van Dyck

Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy.

The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired Iconography series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the archduchess Isabella, Habsburg Governor of Flanders. In 1632 he returned to London to be the main court painter, at the request of Charles I of England.

With the exception of Holbein, van Dyck and his contemporary Diego Velázquez were the first painters of pre-eminent talent to work mainly as court portraitists, revolutionising the genre. He is best known for his portraits of the aristocracy, most notably Charles I, and his family and associates. Van Dyck became the dominant influence on English portrait-painting for the next 150 years. He also painted mythological and biblical subjects, including altarpieces, displayed outstanding facility as a draughtsman, and was an important innovator in watercolour and etching. His superb brushwork, apparently rather quickly painted, can usually be distinguished from the large areas painted by his many assistants. His portrait style changed considerably between the different countries he worked in, culminating in the relaxed elegance of his last English period. His influence extends into the modern period. The Van Dyke beard is named after him. During his lifetime, Charles I granted him a knighthood, and he was buried in St Paul's Cathedral, an indication of his standing at the time of his death.

More Artworks by Anthony van Dyck (View all 189 Artworks)

Diego De Mexía, Marquess Of Leganés

Diego De Mexía, Marquess Of Leganés

Anthony van Dyck (Flemish, 1599-1641)
The Apostle Simon

The Apostle Simon (1618)

Anthony van Dyck (Flemish, 1599-1641)
Portrait of Pieter Soutman

Portrait of Pieter Soutman (1626)

Anthony van Dyck (Flemish, 1599-1641)
The Crucified Christ Adored By Saints Dominic And Catherine Of Siena

The Crucified Christ Adored By Saints Dominic And Catherine Of Siena

Anthony van Dyck (Flemish, 1599-1641)
Joannes Malderus, Bishop of Antwerp

Joannes Malderus, Bishop of Antwerp

Anthony van Dyck (Flemish, 1599-1641)
The Prefect Raffaele Raggi

The Prefect Raffaele Raggi (c. 1625)

Anthony van Dyck (Flemish, 1599-1641)
Nicolas Lanier

Nicolas Lanier

Anthony van Dyck (Flemish, 1599-1641)
Portrait of a Woman, Called the Marchesa Durazzo

Portrait of a Woman, Called the Marchesa Durazzo (ca. 1622–25)

Anthony van Dyck (Flemish, 1599-1641)
Thomas Howard, Second Earl Of Arundel

Thomas Howard, Second Earl Of Arundel

Anthony van Dyck (Flemish, 1599-1641)
Hercules

Hercules

Anthony van Dyck (Flemish, 1599-1641)
The Lamentation over the Dead Christ

The Lamentation over the Dead Christ

Anthony van Dyck (Flemish, 1599-1641)
Portrait of Peeter Stevens

Portrait of Peeter Stevens (1627)

Anthony van Dyck (Flemish, 1599-1641)
Robert Rich (1587–1658), Second Earl of Warwick

Robert Rich (1587–1658), Second Earl of Warwick (ca. 1632–35)

Anthony van Dyck (Flemish, 1599-1641)
Study of a Bearded Man with Hands Raised

Study of a Bearded Man with Hands Raised

Anthony van Dyck (Flemish, 1599-1641)
Portrait of a Man

Portrait of a Man (1619)

Anthony van Dyck (Flemish, 1599-1641)
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