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Manuel Robbe - Menuet d’Automne

Menuet d’Automne (1898-1899)

Manuel Robbe (French, 1872-1936)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1936 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Manuel Robbe

Manuel Robbe was a brilliant printmaker who masted the aquatint technique. He was born in Paris, shortly after the Franco-Prussian War. He soon began studies at the Lycees Condorcet with Louis Legrand. In the early 1890’s Robbe enrolled at the Academie Julian and later, at the prestigious Ecole des Beaux- Arts. Here, he learned the intricacies of etching and aquatint from master etcher Eugene Delatre. He exhibited regularly at the Salons of Societe des Artistes Francais and in 1900, he received a bronze medal at the World’s Fair for his contribution to printmaking.

In the beginning of his career, Robbe began to incorporate many innovative etching techniques into his artwork, such as, the sugar-lift, aquatint and “à la poupee.” His technique was developed over several phases. He painted his design with a mixture of sugar, India ink and gum arabic on a zinc plate. The plate was then covered entirely with a varnish. By immersing the plate in water, the sugar would melt, leaving a thin white line. Resin was added and the plate was heated from the bottom. The plate was placed into an acid bath, to bite the lines and establish line intensity. Finally, Robbe painted the plate with an oil brush made of rags called “à la poupee.” Robbe would arrive with new shades of color with each impression, because he would have to paint the plate each time an impression was pulled. He always succeeded in giving his aquatints great intensity, unique color diversity and extraordinary painterly effects.

Robbe was influenced by the most of the important nineteenth century artists such as Degas, Renoir, Legrand, Chahine and Lautrec. Robbe delighted in depicting women. He was known to show the individuality of his female subjects, while celebrating their beauty. His prints chronicled the emerging status of women as decision-makers and connoisseurs, as well as having the ability to judge and appreciate art. He also was able to show their sensuality, sociability, and the ability of the modern women to elegantly enjoy the simple pleasures in life.

Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish women, children in parks and promenades in the streets, helped lift the artistic level of color printmaking to unprecedented heights.

More Illustrations in Book: L'Estampe Moderne (View all 48)

Fillette à l’Orange

Fillette à l’Orange (1898-1899)

Louise Catherine Breslau (Swiss, 1856 – 1927)
Dante Rencontre Béatrix

Dante Rencontre Béatrix (1898-1899)

Henri Martin (French, 1860 – 1943)
Immortalité

Immortalité (1898-1899)

Henri Fantin-Latour (French, 1836-1904)
Bouquetière

Bouquetière (1898-1899)

Firmin Bouisset (French, 1859-1925)
Un Marché en Zélande

Un Marché en Zélande (1898-1899)

Fernand Piet (French, 1869-1942)
Lutèce

Lutèce (1898-1899)

Adolphe Giraldon (French, 1855-1933)
La Femme au Perroquet

La Femme au Perroquet (1898-1899)

Angelo Jank (German, 1868-1940)
Les Cygnes

Les Cygnes (1898-1899)

Francis Jourdain
Le Départ

Le Départ (1898-1899)

Raphaël Collin (French, 1850–1916)
Pêcheurs à la Ligne

Pêcheurs à la Ligne (1898-1899)

Charles Huard
Kacia

Kacia (1898-1899)

Eugène Delâtre (French, 1864-1938)
Bal de Barrière

Bal de Barrière (1898-1899)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Tristesse sur la Mer

Tristesse sur la Mer (1898-1899)

Raoul André Ulmann (French, 1867-1932)
La Ronde

La Ronde (1898-1899)

Henri Le Sidaner (French, 1862-1939)
Brunnhild

Brunnhild (1898-1899)

Gaston Bussière (French, 1862-1929)
View all 48 Artworks

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License: All public domain files can be freely used for personal and commercial projects.
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