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François Boucher - Madame Bergeret

Madame Bergeret (possibly 1766)

François Boucher (French, 1703-1770)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1770 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
François Boucher

François Boucher was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century.

A native of Paris, Boucher was the son of a lesser known painter Nicolas Boucher, who gave him his first artistic training. At the age of seventeen, a painting by Boucher was admired by the painter François Lemoyne. Lemoyne later appointed Boucher as his apprentice, but after only three months, he went to work for the engraver Jean-François Cars.

In 1720, he won the elite Grand Prix de Rome for painting, but did not take up the consequential opportunity to study in Italy until five years later, due to financial problems at the Académie royale de peinture et de sculpture. On his return from studying in Italy he was admitted to the refounded Académie de peinture et de sculpture on 24 November 1731. His morceau de réception (reception piece) was his Rinaldo and Armida of 1734.

Boucher married Marie-Jeanne Buzeau in 1733. The couple had three children together. Boucher became a faculty member in 1734 and his career accelerated from this point as he was promoted Professor then Rector of the Academy, becoming inspector at the Royal Gobelins Manufactory and finally Premier Peintre du Roi (First Painter of the King) in 1765.

Boucher died on 30 May 1770 in his native Paris. His name, along with that of his patron Madame de Pompadour, had become synonymous with the French Rococo style, leading the Goncourt brothers to write: "Boucher is one of those men who represent the taste of a century, who express, personify and embody it."

More Artworks by François Boucher (View all 169 Artworks)

The Artist in His Studio

The Artist in His Studio (circa 1733)

François Boucher (French, 1703-1770)
L’Heureuse Mère

L’Heureuse Mère (1758)

François Boucher (French, 1703-1770)
Portrait présumé de Marie-Emilie Baudouin, fille du peintre

Portrait présumé de Marie-Emilie Baudouin, fille du peintre (1758-1760)

François Boucher (French, 1703-1770)
The Love Letter

The Love Letter (1750)

François Boucher (French, 1703-1770)
The Sleep Of Venus

The Sleep Of Venus (1754)

François Boucher (French, 1703-1770)
Putti as Fisherman

Putti as Fisherman (1744)

François Boucher (French, 1703-1770)
Christ and the Woman Taken in Adultery

Christ and the Woman Taken in Adultery

François Boucher (French, 1703-1770)
Angelica and Medoro

Angelica and Medoro (1763)

François Boucher (French, 1703-1770)
Venus appuyee sur son cher Adonis …

Venus appuyee sur son cher Adonis … (1767)

François Boucher (French, 1703-1770)
Half-Length Study of a Man

Half-Length Study of a Man

François Boucher (French, 1703-1770)
Les Petits Oiseleurs, Les Enfants Musiciens

Les Petits Oiseleurs, Les Enfants Musiciens

François Boucher (French, 1703-1770)
Seated female nude

Seated female nude (1742)

François Boucher (French, 1703-1770)
The Rest on the Hunt

The Rest on the Hunt

François Boucher (French, 1703-1770)
Pastoral with a Couple near a Fountain

Pastoral with a Couple near a Fountain (1749)

François Boucher (French, 1703-1770)
The Chinese Garden

The Chinese Garden (1742)

François Boucher (French, 1703-1770)
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