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Simon de Vlieger - Kro i en sammenstyrtet bygning

Kro i en sammenstyrtet bygning

Simon de Vlieger (Dutch, 1601-1653)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1653 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Simon de Vlieger was a Dutch painter, draughtsman and designer of tapestries, etchings, stained glass windows. While he is mainly known for his marine paintings he also painted beach scenes, landscapes and genre scenes.

He was likely born in Rotterdam as the son of Jacob Pietersz van Zwet Bolleweck (died ca. 1634) and Lysbeth Wouters. His sister Neeltje de Vlieger became a still life painter. It is not known with whom he trained. He married in Rotterdam on 10 January 1627 to Anna Gerrits van Willige (died 1647). The couple had a daughter Cornelia, who married the painter Paulus van Hillegaert II. De Vlieger moved in 1634 to Delft, where he is recorded renting a house 'De Kranenburch' from 1 May 1634 for the duration of a year. A year later he moved to the house called 'De Houttuyn. He joined the Guild of Saint Luke of Delft.

He then moved to Amsterdam in 1638. Here he worked until 1642 on a commission to paint decorations for the reception of Queen Maria de' Medici. He made around 1640 in Arnhem a drawing of the Rijnpoort and was some time in the period 1642 to 1643 in Kleef where he made a drawing of the Rhine. He was active in Rotterdam intermittently from 1642 to 1644 where he worked on the organ shutters of the St Laurens church. All this time he maintained a residence in Amsterdam of which he had become a citizen on 5 January 1643. He moved to Weesp, a small town on the outskirts of Amsterdam in 1650 where he died in 1653.

Willem van de Velde the younger was his pupil.

While he is mainly known for his marine paintings, he also painted beach scenes, landscapes and genre scenes. In addition to painting, he designed tapestries, etchings, stained glass windows for the Nieuwe Kerk in Amsterdam, and the organ shutters for the St. Laurenskerk in Rotterdam. De Vlieger signed his work with the letters "S.D.VL.F.", "Simon de Vlieger fecit".

The earliest known works of De Vlieger date from 1624. These marine pieces were still strongly influenced by the work of Jan Porcellis and Willem van de Velde the Elder and shows several ships and rocky coasts. In the 1630s and 1640s he was one of the best-known Dutch maritime painters. He moved away from the monochrome style of Jan Porcellis and Willem van de Velde the elder towards a more realistic use of colour, with highly detailed and accurate representations of rigging and ship construction. He painted ships in harbour and at sea as well as storms and shipwrecks.

During his residence in Delft, de Vlieger created a number of marine paintings showing the sea washing against a rocky shore. An example of a work from this period is the Calming the storm (1637, Art Collection of the University Göttingen). The close-up treatment of this subject and the overall composition go back to the print made by Adriaen Collaert after a design by the Flemish artist Maerten de Vos. That print depicting The storm on the sea of Galilei was plate 8 in the 12-part Vita, passio et Resvrrectio Iesv Christ which was published by Jan and Raphael Sadeler in Antwerp in 1583. As in the print, de Vlieger depicts the boat in a forward tilting position but he distances himself from the print by integrating the story into the seascape rather than solely focusing on the activities on the boat.

De Vlieger specialised in the detailed depiction of ships and was able to realistically depict the colours on the seawater. He depicted entire fleets and naval battles. In sketches he demonstrated his insight into linear perspective.

Around 1630 De Vlieger produced his first beach scene, a landscape type that he painted frequently over the following two decades. From 1650 until his death he mainly painted and drew sea coasts and forests.

His work was highly influential on the younger generation of maritime painters. His work was copied by other artists, such as Jan van Ossenbeeck. (ca. 1624-1674). Aelbert Cuyp was familiar with the work of De Vlieger and he is said to have copied the characteristic Dutch skies with clouds and rays of sun falling through De Vlieger.

More Artworks by Simon de Vlieger (View all 51 Artworks)

Hvilende arbejdshest

Hvilende arbejdshest

Simon de Vlieger (Dutch, 1601-1653)
Ruinen am Wasser, vorn ein Kahn mit einem Ruderer

Ruinen am Wasser, vorn ein Kahn mit einem Ruderer

Simon de Vlieger (Dutch, 1601-1653)
A calm estuary with a smalschip and a waterschip at anchor, with other ships in the distance

A calm estuary with a smalschip and a waterschip at anchor, with other ships in the distance

Simon de Vlieger (Dutch, 1601-1653)
Calm Sea

Calm Sea

Simon de Vlieger (Dutch, 1601-1653)
Lænkehund

Lænkehund

Simon de Vlieger (Dutch, 1601-1653)
Træer ved en kanal

Træer ved en kanal

Simon de Vlieger (Dutch, 1601-1653)
Beach with Fishermen

Beach with Fishermen (1630 - 1653)

Simon de Vlieger (Dutch, 1601-1653)
En mynde og en liggende hund

En mynde og en liggende hund

Simon de Vlieger (Dutch, 1601-1653)
Fire geder

Fire geder

Simon de Vlieger (Dutch, 1601-1653)
The Approach to a Village

The Approach to a Village (1615–53)

Simon de Vlieger (Dutch, 1601-1653)
Stream at the edge of the forest

Stream at the edge of the forest

Simon de Vlieger (Dutch, 1601-1653)
To mynder og en sovende hund

To mynder og en sovende hund

Simon de Vlieger (Dutch, 1601-1653)
Sitting fisherman with basket

Sitting fisherman with basket

Simon de Vlieger (Dutch, 1601-1653)
Seaside in Scheveningen with fishing boats

Seaside in Scheveningen with fishing boats

Simon de Vlieger (Dutch, 1601-1653)
Fire kalkuner

Fire kalkuner

Simon de Vlieger (Dutch, 1601-1653)
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