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Maxfield Parrish - Hilltop

Hilltop (1926)

Maxfield Parrish (American, 1870 - 1966)
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Maxfield Parrish

Maxfield Parrish was an American painter and illustrator active in the first half of the 20th century. He is known for his distinctive saturated hues and idealized neo-classical imagery. His career spanned fifty years and was wildly successful: his painting Daybreak (1922) is the most popular art print of the 20th century.

Maxfield Parrish was born in Philadelphia, Pennsylvania, to painter and etcher Stephen Parrish and Elizabeth Bancroft. His given name was Frederick Parrish, but he later adopted Maxfield, his paternal grandmother's maiden name, as his middle, then finally as his professional name.
Parrish entered into an artistic career that lasted for more than half a century, and which helped shape the Golden Age of illustration and American visual arts. During his career, he produced almost 900 pieces of art including calendars, greeting cards, and magazine covers. Parrish's early works were mostly in black and white.

In 1885, his work was on the Easter edition of Harper’s Bazaar. He also did work for other magazines like Scribner's Magazine. He also illustrated a children's book in 1897, Mother Goose in Prose written by L. Frank Baum. By 1900, Parrish was already a member of the Society of American Artists.

More Artworks by Maxfield Parrish (View all 63 Artworks)

Bellerophon at the Fountain of Pirene

Bellerophon at the Fountain of Pirene (1910)

Maxfield Parrish (American, 1870 - 1966)
No Gentleman of France

No Gentleman of France (1896)

Maxfield Parrish (American, 1870 - 1966)
Colgate & Co’s cashmere bouquet

Colgate & Co’s cashmere bouquet (ca. 1890–1920)

Maxfield Parrish (American, 1870 - 1966)
Supine Woman Raising Her Head to Watch Geese, preliminary drawing

Supine Woman Raising Her Head to Watch Geese, preliminary drawing (1924)

Maxfield Parrish (American, 1870 - 1966)
With Trumpet and Drum

With Trumpet and Drum (1904)

Maxfield Parrish (American, 1870 - 1966)
The Oaks

The Oaks (1904)

Maxfield Parrish (American, 1870 - 1966)
The century midsummer holiday number. August

The century midsummer holiday number. August (1897)

Maxfield Parrish (American, 1870 - 1966)
The Gardener

The Gardener (1906)

Maxfield Parrish (American, 1870 - 1966)
Columbia bicycles insure cycling delight

Columbia bicycles insure cycling delight (ca. 1890–1920)

Maxfield Parrish (American, 1870 - 1966)
It will be sufficient to break off a branch and carry it to plant in your garden.

It will be sufficient to break off a branch and carry it to plant in your garden. (1909)

Maxfield Parrish (American, 1870 - 1966)
The Dinkey-Bird

The Dinkey-Bird (1904)

Maxfield Parrish (American, 1870 - 1966)
Harper’s round table, fourth of July

Harper’s round table, fourth of July (1895)

Maxfield Parrish (American, 1870 - 1966)
Exhibition of the American Water Color Society

Exhibition of the American Water Color Society (ca. 1890–1920)

Maxfield Parrish (American, 1870 - 1966)
The Christmas Scribner’s

The Christmas Scribner’s (1898)

Maxfield Parrish (American, 1870 - 1966)
Seein’ Things

Seein’ Things (1904)

Maxfield Parrish (American, 1870 - 1966)
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