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James Ward - Head and Shoulders of a Cart Horse

Head and Shoulders of a Cart Horse

James Ward (English, 1769-1859)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1859 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
James Ward

James Ward was a British painter, particularly of animals, and an engraver.

Born in London, and younger brother of William Ward the engraver, James Ward was influenced by many people, but his career is conventionally divided into two periods: until 1803, his single greatest influence was his brother in law George Morland; from that time, it was Rubens. From 1810 or so, Ward started to paint horses within landscapes; slightly later, he turned to very large-scale landscapes, of which Gordale Scar (Tate, London), completed in 1814 or 1815 and depicting Gordale Scar (Yorkshire) as an example of the sublime, is considered his masterpiece and a masterpiece of English Romantic painting.

Ward devoted much of the period 1815-21 to the painting of a gigantic work titled Allegory of Waterloo (now lost); this neither was much praised nor brought in the revenue Ward had hoped for. The experience may have embittered him, and the deaths of his first wife and a daughter were among other tragedies. Like many artists of the time, Ward sought commissions from wealthy gentry of their favorite horses, their favorite hunting dogs or their children.

One such family that Ward painted and drew repeatedly, and whom he counted among his friends, were the Levett family of Wynchnor Park, Staffordshire. One of Ward's best-known portraits was his Theophilus Levett hunting at Wychnor, Staffordshire of 1817. Another was Ward's 1811 painting entitled The Reverend Thomas Levett and his favourite dogs, cock-shooting. Ward also painted a group portrait of three Levett children — John, Theophilus and Frances Levett.

More Artworks by James Ward (View all 201 Artworks)

The Midday Meal

The Midday Meal (ca. 1835)

James Ward (English, 1769-1859)
Sketch for ‘Gordale Scar’

Sketch for ‘Gordale Scar’ (1812-1814)

James Ward (English, 1769-1859)
Sir Charles Blunt Hunting the Boar and Escaping From the Tiger

Sir Charles Blunt Hunting the Boar and Escaping From the Tiger

James Ward (English, 1769-1859)
Confidence

Confidence (1841)

James Ward (English, 1769-1859)
Fitzhead in Somerset, with an ox-cart near a lime kiln, and Glastonbury Tor in the distance

Fitzhead in Somerset, with an ox-cart near a lime kiln, and Glastonbury Tor in the distance (1805)

James Ward (English, 1769-1859)
Study of a Mountain with Trees

Study of a Mountain with Trees

James Ward (English, 1769-1859)
The Falls Of The Clyde After A Flood

The Falls Of The Clyde After A Flood

James Ward (English, 1769-1859)
Man Struggling with a Boa Constrictor, Study for ‘The Liboya Serpent Seizing His Prey’

Man Struggling with a Boa Constrictor, Study for ‘The Liboya Serpent Seizing His Prey’ (ca. 1803)

James Ward (English, 1769-1859)
Boy Carrying a Pail on His Head

Boy Carrying a Pail on His Head

James Ward (English, 1769-1859)
A Brown long-eared bat (Plecotus auritus)

A Brown long-eared bat (Plecotus auritus)

James Ward (English, 1769-1859)
Elijah Casting off His Mantle

Elijah Casting off His Mantle

James Ward (English, 1769-1859)
The Marquess Of Londonderry’s Arabian Stallion In A Landscape

The Marquess Of Londonderry’s Arabian Stallion In A Landscape (1831)

James Ward (English, 1769-1859)
Landscape with a Castle on a Hill

Landscape with a Castle on a Hill

James Ward (English, 1769-1859)
Study of a Calf

Study of a Calf

James Ward (English, 1769-1859)
The Earth Stopper

The Earth Stopper (1794)

James Ward (English, 1769-1859)
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