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Utagawa Kunisada (Toyokuni III) - Fujiwara no Tokihira and Toneri Matsuōmaru from the Play Sugawara Denjū Tenarai Kagami

Fujiwara no Tokihira and Toneri Matsuōmaru from the Play Sugawara Denjū Tenarai Kagami (mid-19th century)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
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Why is this image in the public domain?
The Artist died in 1865 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Utagawa Kunisada (Toyokuni III)

Utagawa Kunisada, also known as Utagawa Toyokuni III (三代 歌川 豊国 Sandai Utagawa Toyokuni), was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi.

At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to their works as "decadent".

Beginning in the 1930s and 1970s, respectively, the works of Hiroshige and Kuniyoshi were submitted to a re-evaluation, and these two are now counted among the masters of their art. Thus, from Kunisada alone was withheld, for a long time, the acknowledgment which is due to him. With a few exceptions, such as actor portraits (yakusha-e) and portraits of beautiful women (bijin-ga), at the beginning of his career, and some series of large-size actor head-portraits near the end, it was thought that he had produced only inferior works. It was not until the early 1990s, with the appearance of Jan van Doesburg's overview of the artistic development of Kunisada, and Sebastian Izzard's extensive study of his work, that this picture began to change, with Kunisada more clearly revealed as one of the "giants" of the Japanese print that he was.

More Artworks by Utagawa Kunisada (Toyokuni III) (View all 180 Artworks)

Woman Diver Combing her Hair

Woman Diver Combing her Hair (1786-1864)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Actors as Ebisu, Fukurokuju, Benkei, Fox and Hunter in the Style of Ōtsu-e

Actors as Ebisu, Fukurokuju, Benkei, Fox and Hunter in the Style of Ōtsu-e (circa 1850)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
The Courtesans Hanamurasaki and Koshikibu of the Tamaya Promenading in the Rain

The Courtesans Hanamurasaki and Koshikibu of the Tamaya Promenading in the Rain (c. early 1830s)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
The Actor Onôe Kikugorô in the Role of Sakuramaru

The Actor Onôe Kikugorô in the Role of Sakuramaru (ca. 1830)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Yui

Yui (1854)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Woman Bucking Autumn Wind

Woman Bucking Autumn Wind (1786-1864)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Toneri Umeōmaru and Toneri Sakuramaru from the play Sugawara Denjū Tenarai Kagami

Toneri Umeōmaru and Toneri Sakuramaru from the play Sugawara Denjū Tenarai Kagami (mid-19th century)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
The Uota Restaurant; (Actor Ichikawa Ebizō V as) Tarōzaemon

The Uota Restaurant; (Actor Ichikawa Ebizō V as) Tarōzaemon (1853)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Act XI; Moronao is Dragged from Hiding and Identified by Yuranosuke, then Killed; Moronao’s Retainers Being Pursued

Act XI; Moronao is Dragged from Hiding and Identified by Yuranosuke, then Killed; Moronao’s Retainers Being Pursued (circa 1835)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Iwai Hanshirō VIII as Geisha Ohisa, Kataoka Gadō II as Matsushiyama Jinzaburō, and Onoe Kikujirō II as Izumiya’s wife Oume in the Play Matsuichō tsurukame Soga

Iwai Hanshirō VIII as Geisha Ohisa, Kataoka Gadō II as Matsushiyama Jinzaburō, and Onoe Kikujirō II as Izumiya’s wife Oume in the Play Matsuichō tsurukame Soga (1854)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Actor Iwai Hanshiro in the Role of Oito

Actor Iwai Hanshiro in the Role of Oito (ca. 1830)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Geisha Ohisa and Umekichi from Ōiso as Lion Dancers

Geisha Ohisa and Umekichi from Ōiso as Lion Dancers

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Woman Putting on Make-Up

Woman Putting on Make-Up (ca. 1830–1843)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
The Actor Bandō Hikosaburō III as Inamura Magoemon and the Station Inamura between Yoshida and Goyu

The Actor Bandō Hikosaburō III as Inamura Magoemon and the Station Inamura between Yoshida and Goyu (1852)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
A View of the Large New Room at Sakurai

A View of the Large New Room at Sakurai (early or mid 1830s)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
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