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Luc-Olivier Merson - Fin de l’écu changé en feuille sèche

Fin de l’écu changé en feuille sèche (1889)

Luc-Olivier Merson (French, 1846-1920)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1920 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Luc-Olivier Merson

Luc-Olivier Merson was a French academic painter and illustrator also known for his postage stamp and currency designs.

Born Nicolas Luc-Olivier Merson in Paris, France, he grew up in an artistic household, the son of Charles-Olivier Merson, a painter and art critic. He studied under Gustave Chassevent at the École de Dessin and then Isidore Pils at the École des Beaux-Arts. Merson had his first work exhibited at the Paris Salon in 1866 and three years later was awarded the Prix de Rome. During the five years spent working in Italy, he concentrated on religious and historical subjects for his art.

Back in France, in 1875 he won the first-prize medal at the exhibition by the Société des artistes français. Notre-Dame de Paris, one of Merson's best-known paintings, was created in 1881 as a result of the huge popularity of the Victor Hugo novel of the same name. With its mystical Gothic imagery, its style reflects the influence of the then evolving Symbolist movement.

Merson did major decorative commissions for such institutions as the Palais de Justice, the Louis Pasteur Museum, and the mosaic in the chancel vault in the Basilica of the Sacré Cœur. He also did the artwork for stained-glass windows, an example of which can be found in the Church of the Holy Trinity Rittenhouse Square in Philadelphia, Pennsylvania. His profile was raised considerably after being awarded a gold medal for his painting at the 1889 Exposition Universelle, and in 1892 he was elected to the Académie des beaux-arts.

Merson died in Paris in 1920, his work largely forgotten as a result of the overwhelming popularity of the avant-garde art forms as seen in the works of the Impressionists and other artistic movements. Named as a Knight of the Legion of Honor during his life, he was elevated to the level of Commander posthumously.

More Illustrations in Book: Notre-Dame de Paris (View all 53)

Utilité des fenêtres qui donnent sur la rivière

Utilité des fenêtres qui donnent sur la rivière (1889)

Luc-Olivier Merson (French, 1846-1920)
Quasimodo

Quasimodo (1889)

Luc-Olivier Merson (French, 1846-1920)
Les bonnes âmes

Les bonnes âmes (1889)

Luc-Olivier Merson (French, 1846-1920)
Monsieur le cardinal

Monsieur le cardinal (1889)

Luc-Olivier Merson (French, 1846-1920)
Maître Jacques Coppenole

Maître Jacques Coppenole (1889)

Luc-Olivier Merson (French, 1846-1920)
Faites-vous truand

Faites-vous truand (1889)

Luc-Olivier Merson (French, 1846-1920)
Les inconvénients de suivre une jolie femme le soir dans les rues

Les inconvénients de suivre une jolie femme le soir dans les rues (1889)

Luc-Olivier Merson (French, 1846-1920)
Une nuit de noces

Une nuit de noces (1889)

Luc-Olivier Merson (French, 1846-1920)
Quasimodo

Quasimodo (1889)

Luc-Olivier Merson (French, 1846-1920)
Paris à vol d’oiseau

Paris à vol d’oiseau (1889)

Luc-Olivier Merson (French, 1846-1920)
Les deux hommes vêtus de noir

Les deux hommes vêtus de noir (1889)

Luc-Olivier Merson (French, 1846-1920)
Bossue, Borgne, Boiteuse

Bossue, Borgne, Boiteuse (1889)

Luc-Olivier Merson (French, 1846-1920)
La creatura bella bianco vestida (Dante)

La creatura bella bianco vestida (Dante) (1889)

Luc-Olivier Merson (French, 1846-1920)
Gringoire a plusieurs bonnes idées de suite rue des Bernardins

Gringoire a plusieurs bonnes idées de suite rue des Bernardins (1889)

Luc-Olivier Merson (French, 1846-1920)
Immanis pecoris custos, immanior ipse

Immanis pecoris custos, immanior ipse (1889)

Luc-Olivier Merson (French, 1846-1920)
View all 53 Artworks

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