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Maxfield Parrish - Exhibition of the American Water Color Society

Exhibition of the American Water Color Society (ca. 1890–1920)

Maxfield Parrish (American, 1870 - 1966)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
It was published or registered with the United States Copyright Office before January 1st, 1928
Maxfield Parrish

Maxfield Parrish was an American painter and illustrator active in the first half of the 20th century. He is known for his distinctive saturated hues and idealized neo-classical imagery. His career spanned fifty years and was wildly successful: his painting Daybreak (1922) is the most popular art print of the 20th century.

Maxfield Parrish was born in Philadelphia, Pennsylvania, to painter and etcher Stephen Parrish and Elizabeth Bancroft. His given name was Frederick Parrish, but he later adopted Maxfield, his paternal grandmother's maiden name, as his middle, then finally as his professional name.
Parrish entered into an artistic career that lasted for more than half a century, and which helped shape the Golden Age of illustration and American visual arts. During his career, he produced almost 900 pieces of art including calendars, greeting cards, and magazine covers. Parrish's early works were mostly in black and white.

In 1885, his work was on the Easter edition of Harper’s Bazaar. He also did work for other magazines like Scribner's Magazine. He also illustrated a children's book in 1897, Mother Goose in Prose written by L. Frank Baum. By 1900, Parrish was already a member of the Society of American Artists.

More Artworks by Maxfield Parrish (View all 63 Artworks)

Harper’s round table, fourth of July

Harper’s round table, fourth of July (1895)

Maxfield Parrish (American, 1870 - 1966)
The Little Peach

The Little Peach (1902)

Maxfield Parrish (American, 1870 - 1966)
The ladies home journal, July 1896

The ladies home journal, July 1896 (1896)

Maxfield Parrish (American, 1870 - 1966)
Harper’s weekly, Christmas

Harper’s weekly, Christmas (1896)

Maxfield Parrish (American, 1870 - 1966)
Prometheus

Prometheus (1919)

Maxfield Parrish (American, 1870 - 1966)
Fisherman on Pier

Fisherman on Pier (1921)

Maxfield Parrish (American, 1870 - 1966)
Poster Show

Poster Show (1898)

Maxfield Parrish (American, 1870 - 1966)
Bellerophon at the Fountain of Pirene

Bellerophon at the Fountain of Pirene (1910)

Maxfield Parrish (American, 1870 - 1966)
Harper’s young people, Easter 1895

Harper’s young people, Easter 1895 (1895)

Maxfield Parrish (American, 1870 - 1966)
Seein’ Things

Seein’ Things (1904)

Maxfield Parrish (American, 1870 - 1966)
And when they had ascended that mountain they saw a city than which eyes had not beheld any greater

And when they had ascended that mountain they saw a city than which eyes had not beheld any greater (1909)

Maxfield Parrish (American, 1870 - 1966)
The Fly-Away Horse

The Fly-Away Horse (1904)

Maxfield Parrish (American, 1870 - 1966)
It will be sufficient to break off a branch and carry it to plant in your garden.

It will be sufficient to break off a branch and carry it to plant in your garden. (1909)

Maxfield Parrish (American, 1870 - 1966)
With Trumpet and Drum

With Trumpet and Drum (1904)

Maxfield Parrish (American, 1870 - 1966)
Cadmus sowing the dragon’s teeth

Cadmus sowing the dragon’s teeth (1910)

Maxfield Parrish (American, 1870 - 1966)
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