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Eduard von Steinle - Der barmherzige Samariter – Selig die Barmherzigen

Der barmherzige Samariter – Selig die Barmherzigen (1837-1838)

Eduard von Steinle (Austrian, 1810 – 1886)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1886 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Eduard von Steinle

Eduard von Steinle was a historical painter and member of the Nazarene movement.

Steinle came successively under the influence of the painters Leopold Kupelwieser, Johann Overbeck, and Peter von Cornelius, and was thus introduced into the methods of the German painters who had formed themselves into a school in Rome, the Nazarenes. Steinle went himself several times to Rome, but preferred to work in Germany. He received his first large commission, the painting of the chapel of the Castle of Rheineck, while living in Frankfurt; a second one was for work in the Hall of the Emperors (Kaisersaal) in Frankfurt, where he painted the pictures of Albert I and Ferdinand III. These commissions and his friendship with Philipp Veit and the Brentano family decided him to take up his permanent residence in Frankfurt. From 1850 he was professor of historical painting at the Städel Art Institute of Frankfurt.

Like his friend Schwind he was one of the painters of the Romantic School who were largest in their scope. Like Schwind also he was probably more adept in the art of painting ordinary subjects. Still, Constant von Wurzbach was able to write an appreciation of Steinle with the title Ein Madonnamaler unserer Zeit (Vienna, 1879), for Steinle left more than a hundred religious panel pictures, besides numerous cartoons for church windows. He was also regarded as a master of monumental fresco painting in the districts of the Rhine.

Besides his work at Rheineck he painted cycles of pictures in the Castle of Kleinheubach, in the Church of St. Aegidius at Münster, and in the Church of Our Lady in Aachen. He also painted the groups of angels in the choir of Cologne cathedral, and did part of the work in the apse of the choir of the Minster in Strasbourg and in the imperial cathedral in Frankfurt. He also painted frescoes showing the historical development of civilization on the stairway of the Wallraf-Richartz Museum in Cologne.

Among Steinle's smaller religious pictures are the enthroned Madonna holding the Child while an angel plays a musical instrument in front of them, the Visitation, the Holy Family at the Spring, Mary Magdalen seeking Christ, Christ Walking with His Disciples, the Legend of St. Euphrosyne, and the Great Penitentiary. Among his paintings that are not directly religious are: the Warder of the Tower, the Fiddler, the Sibyl, the Lorelei, and the pictures of the story of Parsifal; no less remarkable are his illustrations of Shakespeare, and especially those to accompany Brentano's writings.

Steinle died in Frankfurt on 19 September 1886.

More Artworks by Eduard von Steinle (View all 252 Artworks)

Adam und Eva

Adam und Eva (circa 1900)

Eduard von Steinle (Austrian, 1810 – 1886)
Maria schmerzvoll unterm Kreuz

Maria schmerzvoll unterm Kreuz (1868)

Eduard von Steinle (Austrian, 1810 – 1886)
Engel erlösen schmachtende Seelen aus dem Fegefeuer

Engel erlösen schmachtende Seelen aus dem Fegefeuer (circa 1900)

Eduard von Steinle (Austrian, 1810 – 1886)
Der sprechende Hund zu Rüdesheim, ein Mann mit dem Hund an einem Tisch sitzend

Der sprechende Hund zu Rüdesheim, ein Mann mit dem Hund an einem Tisch sitzend

Eduard von Steinle (Austrian, 1810 – 1886)
Madonna mit dem Kinde, der heil. Elisabeth und dem heil. Johannes

Madonna mit dem Kinde, der heil. Elisabeth und dem heil. Johannes (circa 1900)

Eduard von Steinle (Austrian, 1810 – 1886)
The nature of colors and their appearance at four times of the day

The nature of colors and their appearance at four times of the day (1863)

Eduard von Steinle (Austrian, 1810 – 1886)
Rückkehr der Genovefa

Rückkehr der Genovefa (circa 1900)

Eduard von Steinle (Austrian, 1810 – 1886)
Kopf der Tiburtinischen Sibylle

Kopf der Tiburtinischen Sibylle (1848)

Eduard von Steinle (Austrian, 1810 – 1886)
Schneeweißchen und Rosenrot finden den Zwerg, dessen Bart sich in der Angelschnur verheddert hat

Schneeweißchen und Rosenrot finden den Zwerg, dessen Bart sich in der Angelschnur verheddert hat (1866)

Eduard von Steinle (Austrian, 1810 – 1886)
Ornament zur Einfassung der Veitschen Freskobilder im Städelschen Institut

Ornament zur Einfassung der Veitschen Freskobilder im Städelschen Institut

Eduard von Steinle (Austrian, 1810 – 1886)
Coats of arms of the painters’ guild

Coats of arms of the painters’ guild (1862)

Eduard von Steinle (Austrian, 1810 – 1886)
Antonie von Blittersdorff und Ludowika von Blittersdorff, verehelichte von Rauch, im Profil nach links

Antonie von Blittersdorff und Ludowika von Blittersdorff, verehelichte von Rauch, im Profil nach links (1846)

Eduard von Steinle (Austrian, 1810 – 1886)
Festzug, gebildet aus einem Schlitten mit Faß und Bacchusknaben, Schnepfe, Ente und Reh

Festzug, gebildet aus einem Schlitten mit Faß und Bacchusknaben, Schnepfe, Ente und Reh

Eduard von Steinle (Austrian, 1810 – 1886)
Maria Schirmerin der Christenheit

Maria Schirmerin der Christenheit (circa 1900)

Eduard von Steinle (Austrian, 1810 – 1886)
Die schön geformte rechte Hand eines Mannes, auf der Lehne eines Stuhls ruhend; daneben die Skizze einer derberen Hand

Die schön geformte rechte Hand eines Mannes, auf der Lehne eines Stuhls ruhend; daneben die Skizze einer derberen Hand

Eduard von Steinle (Austrian, 1810 – 1886)
View all 252 Artworks

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