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Maxfield Parrish - Columbia bicycles insure cycling delight

Columbia bicycles insure cycling delight (ca. 1890–1920)

Maxfield Parrish (American, 1870 - 1966)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
It was published or registered with the United States Copyright Office before January 1st, 1928
Maxfield Parrish

Maxfield Parrish was an American painter and illustrator active in the first half of the 20th century. He is known for his distinctive saturated hues and idealized neo-classical imagery. His career spanned fifty years and was wildly successful: his painting Daybreak (1922) is the most popular art print of the 20th century.

Maxfield Parrish was born in Philadelphia, Pennsylvania, to painter and etcher Stephen Parrish and Elizabeth Bancroft. His given name was Frederick Parrish, but he later adopted Maxfield, his paternal grandmother's maiden name, as his middle, then finally as his professional name.
Parrish entered into an artistic career that lasted for more than half a century, and which helped shape the Golden Age of illustration and American visual arts. During his career, he produced almost 900 pieces of art including calendars, greeting cards, and magazine covers. Parrish's early works were mostly in black and white.

In 1885, his work was on the Easter edition of Harper’s Bazaar. He also did work for other magazines like Scribner's Magazine. He also illustrated a children's book in 1897, Mother Goose in Prose written by L. Frank Baum. By 1900, Parrish was already a member of the Society of American Artists.

In Collection: Bicycle Adverts (View all 124)

Cycles, motos. Bicyclettes à moteur Olympique

Cycles, motos. Bicyclettes à moteur Olympique (1931)

Affiches Gaillard (French, 19th/20th century)
Pneu Michelin

Pneu Michelin (1900)

Imp. moderne M.de Brunoff & Cie.
Nordisk Cyclefabrik

Nordisk Cyclefabrik (1899)

Anonymous
Le pneu Michelin. on n’en voit pas la fin

Le pneu Michelin. on n’en voit pas la fin (1936)

Anonymous
Victor bicycles, Overman Wheel Co.

Victor bicycles, Overman Wheel Co. (1895)

Will Bradley (American, 1868 – 1962)
Cycles A. MERCIER 14, Rue de Birague PARIS

Cycles A. MERCIER 14, Rue de Birague PARIS (1880-1890)

G. Berni (French, 19th/20th century)
Cycles Decauville. Fabrication française

Cycles Decauville. Fabrication française (1894)

Frederic Hugo d’Alési (French, 1849-1906)
Résistant à l’usure et aux crevaisons, renforcé Michelin

Résistant à l’usure et aux crevaisons, renforcé Michelin (1934)

Anonymous
Humbers Danske Cycler. Ny Rosenborg, 8. Kjöbenhavn.V.

Humbers Danske Cycler. Ny Rosenborg, 8. Kjöbenhavn.V. (1897)

Frode Hass, lith
Cicli Empress

Cicli Empress (1900)

Giuseppe Boano (Italian, 1872-1938)
Hinde-Bicycles Factory Amsterdam

Hinde-Bicycles Factory Amsterdam (c. 1896 - c. 1898)

Johann Georg van Caspel (Dutch, 1870-1928)
Cycles Bastaent Paris

Cycles Bastaent Paris (1895)

Charles Tichon (French, active 1882-)
Clément. Paris, bicyclette, Paris – Brest sur une bicyclette Clément

Clément. Paris, bicyclette, Paris – Brest sur une bicyclette Clément (1892)

Imp. Camis (French, 19th/20th century)
Cycles du Char nautique, fabrication française. 91, rue sedaine au coin du Bd Voltaire

Cycles du Char nautique, fabrication française. 91, rue sedaine au coin du Bd Voltaire (1900)

lith. Henry Sicard & Farradesche
Où ne monterais-je pas, disent tous les rois de la route. Avec la bicyclette Royal-Fabric

Où ne monterais-je pas, disent tous les rois de la route. Avec la bicyclette Royal-Fabric (1922)

Mich (Michel Liebeaux) (French, 1881-1923)
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