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Archibald Thorburn - Blackgame on a rocky outcrop, with a loch beyond

Blackgame on a rocky outcrop, with a loch beyond

Archibald Thorburn (Scottish, 1860-1935)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1935 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Archibald Thorburn

Archibald Thorburn was a Scottish artist that specialised in wildlife, painting mostly in watercolour. He regularly visited Scotland to sketch birds in the wild, his favourite haunt being the Forest of Gaick near Kingussie in Invernesshire. His widely reproduced images of British wildlife, with their evocative and dramatic backgrounds, are enjoyed as much today as they were by naturalists a century ago.

Archibald was born at Viewfield House, Lasswade, Midlothian, the fifth son of Robert Thorburn (1818–1885), portrait miniaturist to Queen Victoria. His first education was at Dalkeith and in Edinburgh, after which he was sent to the newly founded St John's Wood School of Art in London. His stay there was only brief, since on the death of his father he sought the guidance of Joseph Wolf. It was his commission in 1887 to illustrate Lord Lilford's Coloured Figures of the Birds of the British Isles, for which he painted some 268 watercolours, that established his reputation. He illustrated numerous sporting and natural history books, including his own. He taught Otto Murray Dixon and Philip Rickman (both in Nature in Art's collection), and he encouraged the young Donald Watson when he came to visit him in Dumfries and Galloway. Thorburn was friends of other eminent bird illustrators including George Edward Lodge and John Guille Millais with whom he collaborated on a number of works including: Natural History of British Feeding Ducks; British Diving Ducks and British Game Birds.

On his marriage to Constance Mudie, Thorburn moved to High Leybourne in Hascombe in 1902, where he was to spend the rest of his life. In the 1930s he refused to make use of electric lighting, preferring natural light for his painting, and making use of lamps and candles. His grave is at St John the Baptist church in Busbridge, Godalming.

More Artworks by Archibald Thorburn (View all 147 Artworks)

Pheasants Breaking Out Of Cover

Pheasants Breaking Out Of Cover (1908)

Archibald Thorburn (Scottish, 1860-1935)
Cream Coloured Courser And Pratincole

Cream Coloured Courser And Pratincole (1925)

Archibald Thorburn (Scottish, 1860-1935)
Through The Snowy Coverts-Blackgame

Through The Snowy Coverts-Blackgame (1926)

Archibald Thorburn (Scottish, 1860-1935)
Woodcock In A Sandy Hollow

Woodcock In A Sandy Hollow

Archibald Thorburn (Scottish, 1860-1935)
Bullfinches

Bullfinches (1908)

Archibald Thorburn (Scottish, 1860-1935)
End of the season

End of the season

Archibald Thorburn (Scottish, 1860-1935)
The Challenge

The Challenge (1917)

Archibald Thorburn (Scottish, 1860-1935)
Jack Snipe

Jack Snipe (1933)

Archibald Thorburn (Scottish, 1860-1935)
Ptarmigan in winter plumage signed and dated ‘Archibald Thorburn. 1899

Ptarmigan in winter plumage signed and dated ‘Archibald Thorburn. 1899

Archibald Thorburn (Scottish, 1860-1935)
Pheasants In The Snow

Pheasants In The Snow (1897)

Archibald Thorburn (Scottish, 1860-1935)
Puffins and Razor Bills

Puffins and Razor Bills (1911)

Archibald Thorburn (Scottish, 1860-1935)
Hard Times – Partridges And A Hare

Hard Times – Partridges And A Hare (1892)

Archibald Thorburn (Scottish, 1860-1935)
A Top Shot

A Top Shot

Archibald Thorburn (Scottish, 1860-1935)
Merlin And Larks

Merlin And Larks (1923)

Archibald Thorburn (Scottish, 1860-1935)
Bornean Argus Pheasant (Argusianus grayi).

Bornean Argus Pheasant (Argusianus grayi). (1918-1922)

Archibald Thorburn (Scottish, 1860-1935)
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