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James Ward - Agreeable Contrast of Plum-Violet and Sage-Green

Agreeable Contrast of Plum-Violet and Sage-Green (1912)

James Ward (Irish, 1851–1924)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1924 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

James Ward was a Belfast-born artist, author and teacher. Ward was an important figure in the Irish and British art scene in the late 19th and early 20th century. He is best known in Ireland for his striking murals in Dublin City Hall depicting scenes from Dublin’s history. Besides being the author of influential textbooks, Ward was an innovative teacher who taught and inspired a generation of Irish artists.

James Ward was born on 17 November 1851 at Gavin’s Buildings, Shankill Road, Belfast. He was the son of James Ward a house painter and decorative artist. Ward studied at the Belfast Government School of Art, and in 1872 he was awarded a scholarship to the National Art Training School, South Kensington, London. While there, he worked with Sir Edward Poynter who recommended him as an assistant to Sir Frederic Leighton. He assisted Leighton on the two vast murals Peace and War at the Museum of Ornamental Art in London (subsequently South Kensington Museum and now the Victoria and Albert Museum). He was Leighton's sole assistant until 1887, and wrote an account of the two frescoes for the Magazine of Art. He subsequently worked in art education, and was appointed head of Macclesfield School of Art in 1888. In 1907 he returned to Ireland (residing at 88 Marlborough Road, Dublin) as headmaster of the Dublin Metropolitan School of Art (now National College of Art and Design). His innovations there included introducing new classes of painting in spirit fresco and wood carving. He held that post until he retired in 1918.

Over his career, he exhibited at the Royal Academy of Arts, Belfast Art Society and the Royal Hibernian Academy, and his designs won prizes at the 1878 Paris Exposition and the 1884 London Health Exhibition.

Ward is best known in Ireland for the mural paintings in the rotunda of Dublin’s City Hall, undertaken on behalf of Dublin Corporation. The twelve frescoes consist of eight scenes from the early history of Dublin, and four heraldic panels representing the four provinces of Ireland. They were commenced in 1914 and completed in 1918. Ward was assisted by some of his students in the work, including Harry Clarke and Seán Keating.

On retirement, James Ward went first to England, and then to the home of his daughter in Southern Rhodesia (now Zimbabwe). He died there on 18 May 1924.

More Illustrations in Book: Colour Harmony and Contrast (View all 16)

Harmonic Balance of Warm and Cold Colours

Harmonic Balance of Warm and Cold Colours (1912)

James Ward (Irish, 1851–1924)
Broken Tones of the Primaries and their Complementaries

Broken Tones of the Primaries and their Complementaries (1912)

James Ward (Irish, 1851–1924)
Five pairs of Complementary Colours forming a Chromatic Circle. Each Colour has its Complementary directly opposite

Five pairs of Complementary Colours forming a Chromatic Circle. Each Colour has its Complementary directly opposite (1912)

James Ward (Irish, 1851–1924)
Darkened Shades of the Primaries and their Complementaries

Darkened Shades of the Primaries and their Complementaries (1912)

James Ward (Irish, 1851–1924)
Modification of Tone and Hue of a Colour when placed on or near Different Colours

Modification of Tone and Hue of a Colour when placed on or near Different Colours (1912)

James Ward (Irish, 1851–1924)
Flat and Uniform Application of Colours at A, and Gradated Effect of the same Colours,used with a Full Brush at B

Flat and Uniform Application of Colours at A, and Gradated Effect of the same Colours,used with a Full Brush at B (1912)

James Ward (Irish, 1851–1924)
The Primaries, Red, Green and Ultramarine-Blue, with their Complementaries, or Secondaries, Blue-Green, Purple and Yellow.

The Primaries, Red, Green and Ultramarine-Blue, with their Complementaries, or Secondaries, Blue-Green, Purple and Yellow. (1912)

James Ward (Irish, 1851–1924)
Portion of the Lions Frieze ffrom the Ancient Persian Palace at Susa

Portion of the Lions Frieze ffrom the Ancient Persian Palace at Susa (1912)

James Ward (Irish, 1851–1924)
Harmony of Analogy in Broken Blues

Harmony of Analogy in Broken Blues (1912)

James Ward (Irish, 1851–1924)
Gradated Tones of Broken Red. An example of the Small Interval in Colour

Gradated Tones of Broken Red. An example of the Small Interval in Colour (1912)

James Ward (Irish, 1851–1924)
Harmony of Analogy in Broken Orange and YelIow-Brown

Harmony of Analogy in Broken Orange and YelIow-Brown (1912)

James Ward (Irish, 1851–1924)
Design showing Analysis of Colour in a ‘Peacock’s Plumage’

Design showing Analysis of Colour in a ‘Peacock’s Plumage’ (1912)

James Ward (Irish, 1851–1924)
Highly Illuminated Tints of the Primaries and their Complementaries

Highly Illuminated Tints of the Primaries and their Complementaries (1912)

James Ward (Irish, 1851–1924)
Example of the Small Interval in Colour Tones

Example of the Small Interval in Colour Tones (1912)

James Ward (Irish, 1851–1924)
Combination of Broken Colours of Green, Blue and Orange; Harmony of Contrast

Combination of Broken Colours of Green, Blue and Orange; Harmony of Contrast (1912)

James Ward (Irish, 1851–1924)
View all 16 Artworks

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