16 items

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Agreeable Contrast of Plum-Violet and Sage-Green

Agreeable Contrast of Plum-Violet and Sage-Green (1912)

James Ward (Irish, 1851–1924)
Combination of Broken Colours of Green, Blue and Orange; Harmony of Contrast

Combination of Broken Colours of Green, Blue and Orange; Harmony of Contrast (1912)

James Ward (Irish, 1851–1924)
Design showing Analysis of Colour in a ‘Peacock’s Plumage’

Design showing Analysis of Colour in a ‘Peacock’s Plumage’ (1912)

James Ward (Irish, 1851–1924)
Gradated Tones of Broken Red. An example of the Small Interval in Colour

Gradated Tones of Broken Red. An example of the Small Interval in Colour (1912)

James Ward (Irish, 1851–1924)
Harmonic Balance of Warm and Cold Colours

Harmonic Balance of Warm and Cold Colours (1912)

James Ward (Irish, 1851–1924)
Broken Tones of the Primaries and their Complementaries

Broken Tones of the Primaries and their Complementaries (1912)

James Ward (Irish, 1851–1924)
Darkened Shades of the Primaries and their Complementaries

Darkened Shades of the Primaries and their Complementaries (1912)

James Ward (Irish, 1851–1924)
Example of the Small Interval in Colour Tones

Example of the Small Interval in Colour Tones (1912)

James Ward (Irish, 1851–1924)
Five pairs of Complementary Colours forming a Chromatic Circle. Each Colour has its Complementary directly opposite

Five pairs of Complementary Colours forming a Chromatic Circle. Each Colour has its Complementary directly opposite (1912)

James Ward (Irish, 1851–1924)
Flat and Uniform Application of Colours at A, and Gradated Effect of the same Colours,used with a Full Brush at B

Flat and Uniform Application of Colours at A, and Gradated Effect of the same Colours,used with a Full Brush at B (1912)

James Ward (Irish, 1851–1924)
Harmony of Analogy in Broken Blues

Harmony of Analogy in Broken Blues (1912)

James Ward (Irish, 1851–1924)
Harmony of Analogy in Broken Orange and YelIow-Brown

Harmony of Analogy in Broken Orange and YelIow-Brown (1912)

James Ward (Irish, 1851–1924)
Highly Illuminated Tints of the Primaries and their Complementaries

Highly Illuminated Tints of the Primaries and their Complementaries (1912)

James Ward (Irish, 1851–1924)
Modification of Tone and Hue of a Colour when placed on or near Different Colours

Modification of Tone and Hue of a Colour when placed on or near Different Colours (1912)

James Ward (Irish, 1851–1924)
Portion of the Lions Frieze ffrom the Ancient Persian Palace at Susa

Portion of the Lions Frieze ffrom the Ancient Persian Palace at Susa (1912)

James Ward (Irish, 1851–1924)
The Primaries, Red, Green and Ultramarine-Blue, with their Complementaries, or Secondaries, Blue-Green, Purple and Yellow.

The Primaries, Red, Green and Ultramarine-Blue, with their Complementaries, or Secondaries, Blue-Green, Purple and Yellow. (1912)

James Ward (Irish, 1851–1924)