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Abstract Pattern Portfolio Pl.18 (1930)
Mizuki Heitaro
(Japanese, 20th Century)
Abstract
Abstract Pattern Portfolio Pl.19 (1930)
Mizuki Heitaro
(Japanese, 20th Century)
Abstract
Abstract Pattern Portfolio Pl.20 (1930)
Mizuki Heitaro
(Japanese, 20th Century)
Abstract
Abstract Pattern Portfolio Pl.21 (1930)
Mizuki Heitaro
(Japanese, 20th Century)
Abstract
Abstract Pattern Portfolio Pl.22 (1930)
Mizuki Heitaro
(Japanese, 20th Century)
Abstract
Abstract Pattern Portfolio Pl.23 (1930)
Mizuki Heitaro
(Japanese, 20th Century)
Abstract
Abstract Pattern Portfolio Pl.24 (1930)
Mizuki Heitaro
(Japanese, 20th Century)
Abstract
Abstract Pattern Portfolio Pl.25 (1930)
Mizuki Heitaro
(Japanese, 20th Century)
Abstract
Abstract Pattern Portfolio Pl.26 (1930)
Mizuki Heitaro
(Japanese, 20th Century)
Abstract
Abstract Pattern Portfolio Pl.27 (1930)
Mizuki Heitaro
(Japanese, 20th Century)
Abstract
Abstract Pattern Portfolio Pl.28 (1930)
Mizuki Heitaro
(Japanese, 20th Century)
Abstract
Abstract Pattern Portfolio Pl.29 (1930)
Mizuki Heitaro
(Japanese, 20th Century)
Abstract
Abstract Pattern Portfolio Pl.30 (1930)
Mizuki Heitaro
(Japanese, 20th Century)
Abstract
Act Eight; Journey (1854)
Utagawa Kuniyoshi
(Japanese, 1797-1861)
Asian Art
Act I; Enya and Lady Kaoyo Trying to Pacify Wakasanosuke and Moronao (circa 1835)
Utagawa Kunisada (Toyokuni III)
(Japanese, 1786 – 1865)
Asian Art
Act II; Wakasanosuke Watching Honzō Wipe His Sword after Cutting a Pine Branch; Konami Receiving Rikiya with Refreshment. (circa 1835)
Utagawa Kunisada (Toyokuni III)
(Japanese, 1786 – 1865)
Asian Art
Act III from the Play Kanadehon Chūshingura, ‘A Kana Primer for the Treasury of Loyal Retainers’ (1806)
Katsushika Hokusai
(Japanese, 1760-1849)
Asian Art
Act III; Enya Held from Attacking Moronao by Honzō; Kampei Sending Bannai Outside of the Castle to Receive Honzō’s Gifts Said to Be from Wakasanosuke (circa 1835)
Utagawa Kunisada (Toyokuni III)
(Japanese, 1786 – 1865)
Asian Art
Act IV; Enya Asking for Yuranosuke before Committing Suicide; Yuranosuke Shows the Sword Used for Suicide to Enya’s Retainers (circa 1835)
Utagawa Kunisada (Toyokuni III)
(Japanese, 1786 – 1865)
Asian Art
Act IX; Oishi Disguises Yuranosuke as a Komusō (Flute-Playing Monk); Oishi Attacks Honzō for Having Brought about Enya’s Demise (circa 1835)
Utagawa Kunisada (Toyokuni III)
(Japanese, 1786 – 1865)
Asian Art
Act V of series The Storehouse of Loyal Retainers, a Primer, with the characters Hayano Kanpei (Shigenji), his wife Okaru, Onosada Kurō and Farmer Yoichibei (1854)
Utagawa Kunisada (Toyokuni III)
(Japanese, 1786 – 1865)
Asian Art
Act VI; Kampei Signing the Roll of the Forty-Seven Rōnin; Okaru, after Being Sold, is Taken by Palanquin to Kyoto Brothel (circa 1835)
Utagawa Kunisada (Toyokuni III)
(Japanese, 1786 – 1865)
Asian Art
Act VII (1806)
Katsushika Hokusai
(Japanese, 1760-1849)
Asian Art
Act VII (Shichidanme) (ca. 1835–1839)
Andō Hiroshige
(Japanese, 1797 – 1858)
Asian Art
Act VII from the series The Storehouse of Loyal Retainers (c. 1801-2)
Kitagawa Utamaro
(Japanese, 1753-1806)
Asian Art
Act VIII; Konami’s Bridal Procession. (circa 1835)
Utagawa Kunisada (Toyokuni III)
(Japanese, 1786 – 1865)
Asian Art
Act X; Gihei, Proving His Loyalty, Defies the Rōnin to Move Him; Gihei Writing a Letter of Divorce before His Father-in-Law (circa 1835)
Utagawa Kunisada (Toyokuni III)
(Japanese, 1786 – 1865)
Asian Art
Act XI, End; The Rōnin Paying Homage to the Tomb of Enya at the Temple Sengakuji, Having Brought the Head of Moronao as an offering. (circa 1835)
Utagawa Kunisada (Toyokuni III)
(Japanese, 1786 – 1865)
Asian Art
Act XI; Moronao is Dragged from Hiding and Identified by Yuranosuke, then Killed; Moronao’s Retainers Being Pursued (circa 1835)
Utagawa Kunisada (Toyokuni III)
(Japanese, 1786 – 1865)
Asian Art
Actor (18th century)
Torii Kiyohiro
(Japanese, active 1750s-70s)
Asian Art
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Abstract
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