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Illustration

Decoration, interpretation or visual explanation of a text, concept or process, designed for integration in published media, such as posters, flyers, magazines.

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Shin-Bijutsukai Pl.347

Shin-Bijutsukai Pl.347 (1901-1902)

Furuya Kōrin (Japanese, 1875 - 1910)
Habit of an antient Britain. Ancien Breton.

Habit of an antient Britain. Ancien Breton. (1757-1772)

Charles Grignion (English, 1721–1810)
Histoires naturelles Pl 55

Histoires naturelles Pl 55 (1922)

Pierre Bonnard (French, 1867-1947)
Henry Monnier. Portraits et transformations 1-Henry Monnier en 1822 (d’après une aquarelle de Chalon)

Henry Monnier. Portraits et transformations 1-Henry Monnier en 1822 (d’après une aquarelle de Chalon) (1877)

Edmond Morin (French, 1824–1882)
Boatswain; ‘Hence! What care these roarers for the name of king’ [Tempest, act I, scene I]

Boatswain; ‘Hence! What care these roarers for the name of king’ [Tempest, act I, scene I]

Walter Crane (English, 1845 - 1915)
Bookplate; Bücherzeichen des Max Kettembeil

Bookplate; Bücherzeichen des Max Kettembeil (1902)

Karl Ernst Friedrich Rumpel (German, 1867 - 1939)
La mazurka danced in La gitana

La mazurka danced in La gitana (1840)

Currier & Ives. (American, 1835 - 1907)
70 dessins de Cappiello Pl.23

70 dessins de Cappiello Pl.23 (1905)

Leonetto Cappiello (Italian, 1875-1942)
Der rote Ibis

Der rote Ibis (1916)

Richard Müller (Austrian, 1874-1930)
La filiacion. (The filiation.)

La filiacion. (The filiation.) (1796-1797)

Francisco de Goya (Spanish, 1746 - 1828)
Ōya tarō mitsukuni

Ōya tarō mitsukuni

Tsukioka Yoshitoshi (Japanese, 1839-1892)
Salon de laque gris & rose

Salon de laque gris & rose (1921)

MAM
Cover Design From ‘Le Morte Darthur’

Cover Design From ‘Le Morte Darthur’ (1897)

Aubrey Vincent Beardsley (English, 1872-1898)
Marmorpapier (Ölmarmor)

Marmorpapier (Ölmarmor) (1900)

Andreas Haussmann (German, 19th/20th century)
The soft porcelain of Sèvres Pl.19

The soft porcelain of Sèvres Pl.19 (1892)

Edouard Garnier (French, 1840-1903)
The Fates

The Fates (1847)

John Doyle (Irish, 1797 – 1868)
L’art typographique dans les Pays-Bas pendant les années 1500 à 1540 Pl.032

L’art typographique dans les Pays-Bas pendant les années 1500 à 1540 Pl.032 (1926)

Wouter Nijhoff (Dutch, 1866 – 1947)
The Cryes of the city of London – Title page

The Cryes of the city of London – Title page (1688 - 1724)

Jacob Gole (Dutch, 1660-1737)
Woman’s costume; Pink pants, 2

Woman’s costume; Pink pants, 2 (1919)

Will R. Barnes (American, ?-1939)
Beispiele kunstlerischer Schrift Pl.058

Beispiele kunstlerischer Schrift Pl.058 (1900)

Rudolf von Larisch (Austrian, 1856-1934 )
Toujours Chic, Les Robes – Remember

Toujours Chic, Les Robes – Remember (1921-1922)

G-P. Joumard (French, 19th/20th century)
The soft porcelain of Sèvres Pl.22

The soft porcelain of Sèvres Pl.22 (1892)

Edouard Garnier (French, 1840-1903)
L’heure du déjeuner

L’heure du déjeuner (1899)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
While you wait

While you wait (1918)

William Henry Walker (American, 1871-1938)
Excelsior. Mus der Bücherei von Charlotte Mamroth

Excelsior. Mus der Bücherei von Charlotte Mamroth (1908)

Paul Robert Voigt
The silk worm

The silk worm (1914)

Lou Mayer (American, 19th/20th Century)
De vijf dwaze maagden worden door de duivel de hel ingetrokken

De vijf dwaze maagden worden door de duivel de hel ingetrokken (c. 1869 - c. 1925)

Antoon Derkinderen (Dutch, 1859 - 1925)
The customs inspector

The customs inspector (1782–1800)

Thomas Rowlandson (English, 1756-1827)
Die interessantesten Chörlein an Nürnberg’s mittelalterlichen Gebäuden Pl.02

Die interessantesten Chörlein an Nürnberg’s mittelalterlichen Gebäuden Pl.02 (1850)

Friedrich Mayer
Four horizontal designs of vegetal shapes and cherubs

Four horizontal designs of vegetal shapes and cherubs (1875-1890)

André-Charles Boulle (French, 1642 – 1732)
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