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Florigold Citrus Label

Florigold Citrus Label (1930s)

Anonymous
Beatrys Pl.63

Beatrys Pl.63 (1901)

Edward Pellens (Belgian, 1872-1947)
Ekade Ektab die Felsbilder Fezzans Pl.65

Ekade Ektab die Felsbilder Fezzans Pl.65 (1937)

Leo Frobenius (German, 1873 – 1938)
Descent near Philadelphia

Descent near Philadelphia (1850)

Peter S. Duval (American, 1804-1886)
No. XII. Forms and solids

No. XII. Forms and solids (1890)

Marcius Willson (American, 19th/20th Century)
Der moderne Bautischler Pl.16

Der moderne Bautischler Pl.16 (1904)

Emmerich Fellinger (German, 18th/19th century)
L’harmonie des couleurs Pl.149

L’harmonie des couleurs Pl.149 (1880)

Édouard Guichard (French, 1815-1889)
L’esposizione marittima visitata da Dante e Virgilio Pl.04

L’esposizione marittima visitata da Dante e Virgilio Pl.04 (1871)

Antonio Manganaro (Italian, 1842-1920)
Book Cover Design of the Volume of Verse by Józef Relidzyński; ”Laurels and thorns’

Book Cover Design of the Volume of Verse by Józef Relidzyński; ”Laurels and thorns’ (1917)

Antoni Stanisław Procajłowicz (Polish, 1876-1949)
Der Abschied

Der Abschied (1914)

Wilhelm Dachauer (Austrian, 1881 – 1951)
Arabesques; tékyeh des derwiches; tympan et bordure d’une arcade en faïence emaillée (XVIIe. siècle)

Arabesques; tékyeh des derwiches; tympan et bordure d’une arcade en faïence emaillée (XVIIe. siècle) (1877)

Émile Prisse d'Avennes (French, 1807-1879)
Simple John, the Horse, the Cow, and the Pig

Simple John, the Horse, the Cow, and the Pig (1917)

Jean de Bosschère (Belgian, 1878 – 1953)
La Chienne Au Loup

La Chienne Au Loup (1900)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Pacifist

Pacifist

Otho Cushing (American, 1870-1942)
Ursule

Ursule (1828-1830)

Pierre Louis Henri Grévedon (French, 1776 - 1860)
Schulter an Schulter!

Schulter an Schulter! (1915)

Arpád Schmidhammer
Illustrations to As you like it Pl.05

Illustrations to As you like it Pl.05 (1901-1910)

Hugh Thomson (American, 1860-1920)
‘How now! a rat; Dead, for a ducat, dead!’ [Hamlet], act III, sc. IV

‘How now! a rat; Dead, for a ducat, dead!’ [Hamlet], act III, sc. IV (1848)

William M. Anderson (English, 19th Century)
The Banquet of Alexander

The Banquet of Alexander (1540–50)

Domenico del Barbiere (Italian, 1506 – 1570)
The Last Stage of Cruelty, or a Mercifull Example of Quaerism at Brighton

The Last Stage of Cruelty, or a Mercifull Example of Quaerism at Brighton (1806)

Charles Williams (English, ?-1830)
Dinner Service (Rousseau service); Flowers (no. 23)

Dinner Service (Rousseau service); Flowers (no. 23) (1866)

Félix Bracquemond (French, 1833-1914)
Reformkleid für Manner

Reformkleid für Manner (1903)

Jean-Émile Laboureur (French, 1877–1943)
A-Hunting We Will Go (tail piece)

A-Hunting We Will Go (tail piece)

Alfred W. Cooper (English, active 1850-1901)
Guide Belge

Guide Belge (1916)

Raoul Dufy (French, 1877 – 1953)
Major Purcell O’Gorman, M.P. (1820-1880)

Major Purcell O’Gorman, M.P. (1820-1880)

Carlo Pellegrini (Italian, 1839-1889)
Cleveland and Bayard

Cleveland and Bayard

Frank Arthur Nankivell (Australian, 1869–1959)
Four plant form compositions

Four plant form compositions (1928)

André Durenceau (French, 1904-1985)
Ophelia, from Hamlet, Act IV, Scene 7

Ophelia, from Hamlet, Act IV, Scene 7 (1775)

John Hamilton Mortimer (English, 1740-1779)
The mock phoenix!!! Or a vain attempt to rise again

The mock phoenix!!! Or a vain attempt to rise again (1813)

Thomas Rowlandson (English, 1756-1827)
Le bonheur dans le crime

Le bonheur dans le crime (1886)

Félicien Rops (Belgian, 1833-1898)